phat bass heeavy lp album

brand new on exit records from arguably one of the most prolific artists this year asc – this release follows on nicely from his more experimental direction showcased on his auxiliary label. discordant almost industrial-esque soundscapes with an amazing depth, these tunes have been aired regularly by the likes of dbridge, instra:mental and more. dont sleep on this one!

exit 100.3 part 3 is a return to our dnb roots, with artists who have and will shape the exit sound, clear transparent vinyl with screen printed pvc sleeves

itoa on exit records

fracture presents sweaty dancehall riddims on exit

experimental stuff by great j fulltono

12inch vinyl in printed sleeve

aka steve spacek

feat dbridge

fabulous remix ep by dbridge

next jubei output

fresh dbridge triple vinyl

ltd dbl header by dub phizix vs fixate

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

freaky bass / drum & bass

thirty years later italian records and kirlian camera are happy to re-release edges in a new interpretation by todays singer/frontliner elena alice fossi. the a side of this 21st century vinyl includes remixes by john fryer (depeche mode + nin producer), and starion that combines vocoder vocals, analogue bass and polysynth. on the b side the electronic duo from rotterdam shambok offers a pumping electro mix along with an intense pad accappella version. firat 300 copies come in fullcover

nice price deal !!! real name dan griober, dan habarnam has been active since the 90s, doing production for romanian pop artists while also working on his own projects. his solo catalog is pretty slim, with just a few appearances on drum & bass labels like santorin and subtle audio, but from the known is clearly the work of an experienced artist: though loosely anchored in techno, ambient and bass music, its stylistically open-ended, and produced with an audiophiles attention to detail. according to the label, groibers meticulousness extended to the mastering process as well (the cd, for instance, was recorded direct from the vinyl to achieve that special analog feel)

the long awaited sequel to the groundbreaking >live for never< lp from new zealand electronic wonderkid consequence is completed and scheduled for a dec 19th release on exit records. the release of >live for never< reminded the electronic world of the intricacies and emotional heights of drum & bass, and carried the genre into new realms of sonic possibility. >test dream< is not for those who expect the next logical evolution of >live for never<. it is also not for the unadventurous, nor for those who seek easily digestible music. creatively free, consequence revels in pure electronic experimentation, and the result is an album that follows no rules, and explores fractal dimensions that defy conventional genres.

dbridge on production and vocals, remixes by morgan zarate and consequence.

we have no info on this new artist velvit. limited pressing 10 inch vinyl.

joe seven returns for another single on dbridges excellent exit records. this one arriving as if from nowhere, whoever clicks the soundclip link first is likely one of the first outside the secretive exit camp to hear the audio.

exit introduce joe seven, one half of they live whos debut album is out on 28th march. snap this one up, unique bass music from the ever evolving exit records label.

amazing 3 track sampler with very well selected dubstep

after a lengthy break from the electronic music world, genotype is back with an lp for exit records and provides a lesson in stripped back dub influenced music at approximately 170 bpm. having started his music career in the mid nineties under the legendary alias just jungle, with releases on the massively influential labels of that era such as trouble on vinyl, renegade hardware and reinforced records, its no surprise that he has managed to capture the essence of rawness in his recent music akin to the early years of jungle. many producers have tried and failed to bring back the old skool sound with an original flavor but genotype has managed this by resisting the temptation to lash in the tired old classic breaks and instead has drawn for the more organic sounding percussion and drum kits. the dubbed out theme runs throughout the album paying homage to his love for west indian music which he has been involved in for many years and naturally influences the music he creates. genotype is a man of few words and prefers to let his music do the talking so check out the album and draw your own conclusions.

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

deep, dramatic, abstracted d&b from exits most esoteric operator, consequence. test dream is an advanced follow-up to the burial-esque scapes of his 2009 debut, live for never, scanning sci-fi inspired minimal d&b topographies with a filigree attention to detail. ultimately, its not the kind of d&b thatll have you firing shots in the ceiling: its strengths lie in the vivid evocation of dystopian futures and plugged-in, cyber-surreal dream states, conducted with the ability to suspend disbelief and submerge the willing participant in a whole other headspace. that said, there are dancefloor-ready moments like the sinuous, sub-heavy soul sees spirit, but the best moments occur when the dancefloor seems to be receding beneath your feet / sofa, as with the whirring autechre-ian dynamics of magda trench and the majestic loveshell, or the flickering, skeletal remains of marlo.

its been a long time coming but loxy and resounds debut album -burning shadows- has finally arrived on dbridges exit imprint and its a ragga infused tech drum n bass belter. the albums 13 tracks feature eerie sci-fi style atmospheric soundscapes with plenty of menacing dub bass and sparse d n b percussion. stand out tracks are -sin city- with its fear inducing acidic bass line and half time feel (think of it as the perfect music for the chase scene from ridley scotts -alien-), and -conqueror x- with its deep dark repetitive bass line.