camea&#700,,,,s latest release on her imprint neverwhere pays homage to her hometown seattle&#700,,,,s original underground rave warehouse, naf studios, where she went dancing in the late 90s and began her journey that ultimately landed her in berlin. also where nirvanna&#700,,,,s “smells like teen spirit” video was filmed (and ironically now a catholic publishing house), the hedonistic venue is legendary to those who picked up rave flyers scattered on the streets of seattle and took a chance on an emerging new electronic music scene. both originals reflect the raw warehouse vibe of this era, and matrixxman and markus suckut have weighed in with heavy remixes. markus puts his signature on the naf 97 original with a deep space atmospheric techno banger, and matrixxman reworks the original 303 recordings in jack u, sending it into another dimension - and even further.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

camea ist zurück mit ihrem zweiten release auf ihrem label neverwhere. - signs - heißt die neue single, zu der sie auch zwei große produzenten, ian pooley (innervisions, pooled music) und andré kronert (figure, stockholm ltd), eingeladen hat eine ganz eigene version der tracks zu erstellen. wie üblich mag camea alle schönen dingen dazwischen, und mit dieser ep führt sie dich durch ein spektrum von magischen sonnenaufgängen bis hin zu dunklen, pulsierenden keller raves.

slamming 3 track pumpin minimal techno madness

incl camea remix , slamming techno voyage ... from acid to techno

camea gelingt es mit der auswahl ihrer tracks die basis ihrer experimentellen kombination von deep house und techno weiterauszubauen, sowie ihren eigenen sound lautstark zu kommunizieren. sie erweitert ihre diskographie um einen essentiellen teil genauso, wie das archiv von bpitch control!

limited nice price action
solid groovy mini tech incl hot camea remix

die in seattle geborene camea gehört spaetestens seit ihrer city watch over me ep zu den aufstrebenden künstlern von bpitch control. nach ihrem dub-electronica-beitrag love on the balcony fuer die where the wind blows-compilation untermauerte die letztjaehrige neverwhere ep eindrucksvoll ihr gespuer für raumfuellende grooves und formvollendete melodien. nun erscheinen mit der remix edition von neverwhere vier neuinterpretationen, die allesamt neue facetten aufzeigen.

upon.you’s next release steps out of europe and into the americas with a timeless ep from brooklyn natives tim xavier and camea. tim, a passionate producer and co-owner of manmade mastering in berlin, has teamed up in full force with camea for this stunning work, who is the owner of one of america’s most successful techno labels: clink recordings. camea has driven herself onto international stage in recent years and is touring around the world as a successful djane. the a side, brooklyn sunset 1989, is an emotionally charged piece stemming from vintage 80s melodies and broken drum patterns, epically beautiful and romantic. in contrast, the b side features man vs. universe, a dance floor driver that uses tims powerful percussive techniques to achieve an energetic crate essential. the duo takes things down for the last two installments, diamonds hitting the groovy a.m. spot.

after ellen alliens album >dust< kicked up a lot of the same in 2010, it was only a matter of time until the right remixers for the album were found. no less than the creme de la creme of today s house scene was allowed to have their way with these tracks. and the results are more than fitting. although we have already burned a full-length cd containing all of the remixes they created, we are not planning on leaving the vinyl-loving faction (or whats left of them) out in the cold either. this 12 inch features three powerful club tracks from three outstanding remixers. each unrivalled in their own space.

big with: dubfire, loco dice, sammy dee, paco osuna, steve bug, ellen allien, alexi delano, ambivalent, konrad black, nekes, pan-pot, butane, someone else, martin eyrer, dustin zahn, dana ruh, alland byallo, bill patrick ...
tim xavier and camea have composed a passionate collection of tracks in their anticipated collaboration on clink, titled velvet on canvas. this astonishing ep achieves a fine balance between peak time grooves and underground euphoria, delicately detailed for surfing minds and moving bodies.
the a side kicks off with a festive tech house version of you control myself, a track inspired from a dear diary recording session by camea in the studio.
the vocal, manipulated with psychedelic delay automation, is layered under xaviers seasoned percussion techniques and romantic atmospherics, achieving an outer space vibe in which the lines become blurred between reality and fantasy …

cameas latest clink release has arrived, featuring an alexi delano rework. this eloquently produced ep resonates between minimal, techno and tech-house, and hits the spot for both peak-time and after-hour moods. camea has been hot on the dj circuit this year, and this release is a great tribute to the growing following for her performances. titled >happy ending<, it hits the spot with heady melodies, dark vocals, a touch of soul and irresistible percussion for the dance floor. alexi delanos remix on the b-side delivers an artistic and trackie techno burner that compliments this ep with a flattering perspective. it is a fantastic addition to his long list of heavily rotated masterpieces, including high profile contributions to labels such as plus 8, items and things, spectral, drumcode and frankie records. this combined release is a hot item for djs and collectors.

explosive deep & druggy minimal techno !

barem (pariter, foundsound, phonocult) und camea (clink) grooven hier mit lancelot camelot um die wette. wer zuerst ins ziel rollt hat gewonnen !!

klickhaus gains momentum with this trippy, late night minimal endeavor for their third release, produced by now m_nus artist, ambivalent. this is ambivalent s second ep, the first being on klickhaus successful sister label, clink recordings, titled >roomies< , and he again proves himself as a name to watch out for this year. ambivalent has a unique, rhythmically diverse and funky style that can be mixed in many different arenas and always has an element of personality to each piece, which makes it a unique experience in dj sets. on the remix side, camea takes the original to the next level by stripping down the rhythm and adding a peak time chromatic pattern to the bubbling lead tone provided by ambivalent. camea s unique style adds a great diversity to this ep. dj emerson is the techno gentleman of the berlin underground scene for quite a while now, on this 12inch he provides a stellar re-work somewhere between house and techno to palindrome

excellent minimal phreak techno !!!

clink003 is the long awaited solo production debut by camea. this hard working female dj and producer brings her musical perspective to the digital audio massive with three strong, artistic and variant tunes on this e.p. the titled track, wire tap, can be described as nothing less than 8 minutes of peak hour minimal techno, influenced by star producers like audion and sleeparchive. from the suspenseful and clicky start of this tune it is obvious that camea s focus is to tap into the wires on the dance floor and give attentive audiences a run for their money

clink(t) noch besser als die eins.. minimal und ausdrucksstark !!! incl rmxs by afternoon coffee boys & tim xavier !!!

welcome to the vol i. of our brand new series the remixes . this series will showcase some of our prior released treasures in a complete new identity. one of the opportunities you can not let slip asking some of our favourite producers for their creative input and contribution to jeudi.

marc depulse makes his single debut on noir music with the long awaited no need to worry. the fantastic vocals are written and performed by nm favourites hollis p monroe and overnite.

played and supported by: luciano, dj t,seth troxler, maceo plex / maetrik, magda, tim green, anthony collins, marco resmann, danny tenaglia, butch, slam, carlo lio, joseph capriati, coyu, ambivalent, toni rios, shinedoe, jeremy p caulfield, salvatore freda, cesare vs disorder, kabale und liebe

(tim xavier, camea, toni rios, andre walter rmxs) after their first big release tabasco by kohlbecker & eilmes the u60311 club based label dreielf recordings is back with resident sascha krohn who delivers a fresh minimalistic techno mover !

plays by loco dice, format b, tobi neumann, bart skills, martin eyerer

incl.camea rmx / detroit flavoured tracks

the latest ep from sierra sam (toysforboys records, umf, co-producer for ur s suburban knight). includes two drastically different reinterpretations from camea (clink music) and bloody mary (sender records).

sunset diskos is back with an other killer ep from agaric, this time with remixes by no less than camea from clink records

slamming rmxs by marco carola , paco osuna , troy pierce, jpls, tim & camea !!!

hypner knackiger und phunkiger techno wie er 2007 klingen soll... sehr sehr fetttt

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

amazing minimal tech phunk trax by tony rohr & tim xavier !!! >>> already played by richie hawtin !!

cocoon ibiza turns fifteen! finally, its summer and we cant wait to pack our bikinis and flip-flops again for our annual trip to the island

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.