brand new wax from denmarks acclaimed music for dreams imprint featuring two artists new to the label - bonnie & klein and coyote. hailing from greece, bonnie & klein debut with three impressive cuts including future sunset classic total blue - already receiving maximum support from the likes of moonb oots and phil mison, this gentle summery melody conjures up perfect cafe del mar moments with its dreamy pads, lush keyboards and beautiful accordion. also coral which follows the same route - another sunset chill-out gem with a mental generation/ double fantasy feel - and finally demode, a great bass-heavy slo-mo white isle dreamscape with gorgeous flute. also making their first foray onto music for dreams are is it balearic dons coyote with the superb gitarra, a flamenco/ spanish guitar-laden, percussion-driven chugging monster of a track with huge balearic dancefloor appeal.

>sleduyushly< or who is next on sol asylum is anton zap. we are pleased to be closing out 2014 with the delightfully well-crafted deep house that resonates within anton. we start with talking a simplistic yet deep and ever-evolving atmosphere with peculiar echoes and noises that speak to us through constantly moving metallic percussion. next rublewood with its trotting wooden clicks and oscillating claps we morph through the track until the euphoric themes expand bringing us to the next level. in my lesson, anton channels a 90s ambience with a definite feel for funk. arpeggiated synths with just a hint of acid mixed with harmonic pads and unconventional horn riffs bring this eccentric soundtrack together. finally her lesson brings us to more experimental territory with a futuristic outer galactic journey through space and time where a metronomic kick, walking bassline and gleaming pads transport us to another dimension.

der new yorker rapper diabolic kehrt nach seinem debütalbum aus dem jahr 2010 auf dem immortal technique label viper records mit features von vinnie paz, sean price, celph titled, apathy, r.a. the rugged man und anderen zurück. dj premier, engineer, junior makhno, snowgoons und andere sorgen für die produktion.

next up on creme organization is someone who has been winning lots of fans with his tough, masculine house music in the last couple of years. releasing on labels like unknown to the unknown and his own hot haus recs, dj hauss sound is one that aims squarely at the dance floor

remastered reissue of the 1989 album *another place and time* by queen of disco donna summer. pressing on heavyweight 180 gram vinyl, download code included.

after his highly acclaimed sunset in kreuzberg ep, dib001 shifts gears and goes straight into techno mode: constantine is a steady number, its acid bass line slugging around a dark lfo pulse and punching snares. piano chords slow down the pace here and there, adding a dreamy touch to the mood. on remix duties, idriss drafts in gaetano parisio, the godfather of the italian techno scene: his track has a more percussive feel, with a classy swinging rhythm that takes over the original groove.

roots for bloom label boss jamie trench kicks off the label offshoot rfbcolours with a collaboration ep alongside rebel. the a side tracks come from jamie himself. -good love- has a stripped back garage feel with a jacking and filtered vocal carrying it, then stapled brings things across with a more techno feel with strong stabs and background drifting chords. the b side is where we see rebel s input, with the rolling and infectious in the end . the groove is again stripped back and simple but it s this that carries the vocal that demands your attention. the two then pair up for we don t fly first class and it s apparent to hear in the track where the two come together well. this one is driven by a huge sub bass line and simple stabs and talking and seductive vocal lines.

it has been local talk bosses mad mats & toolis secret weapon during their dj sets over the past months and have destroyed clubs from london to berlin. with a super catchy chord theme, bumpy 4/4 beats and a slight uk feel this is as bad as it gets. it is just one of those tunes you immediately recognise and can relate with. together with a deep journey house remix from ad bourke and a fierce uk inspired bass/house mix from colognes hade we dare to say that this is one the finest releases on local talk so far. original bristol cat crackazat (now residing in uppsala, sweden) got a sound that fuses jazz theories, electronic 4/4s with a deep uk underground mentality. think underground resistance meets floating points and your almost there. somewhere else is the second single from crackazat on local talk and in early 2015 he will drop his debut album crescendo on local talk.

at a time when techno music was new and mainly innocent, a spirit was born that gave rise to a cheerful culture of independent minded people, who were then reclaiming empty spaces for the sole purpose of pure pleasure. through these places a unique vibe was created, embracing people with the lush abundant luxury of letting them feel at home, welcome and a part of a family. heideglühen is such a place and arguably host to the hottest dance floor berlin has got to offer.

a new vinyl-only imprint,
* made in soho* with a double a-side from uk house maestro mr. g - a long-time friend who has supported the store for the last two decades.
the a-side starts with a driving beat, over which sultry chords hang and build. the introduction of a spirited vocal loop gives the track a more melancholic feel, all underpinned by a great bassline that ensures the track never loses its soul, depth and funk. on the flip, * buff zenky* heads into much tougher territory. the track builds with thumping kicks and those trademark * g* hats, along with a chopped vocal, tight looping bass and swinging claps. a sparse but highly effective layered synth completes a cold-blooded package - perfect for those late nights and early mornings. an excellent first release for made in soho, displaying a thoroughly current approach whilst never forgetting the deep, soulful veins that run through its racks.

-sunkissed- is a unique track, with an exceptional use of jazzy chords and electric piano stabs working their way into a groovy bassline progression and topped with cool vocal snippets and a killer breakdown. a feel-good harmony experience for sure. -whos

( includes hand numbered postcard artwork on raw 250g paper ) following up their first release, bare hands opt for rather eclectic soundscapes, yet keeping analogue roughness and a spontaneous feel in their focus.

axe on wax return with it s third release welcoming on board speakdeep, stefano esposito (luca tuccillo piano mix), ciro de gais & kidmark all supplying raw old school sounding house bombs essential for real house music lovers that play quality wax!

sometimes, there is a certain attention for a new artist and you can actually feel that this one is about to go through the roof. this is exactly the feeling we have with few nolder right now. with releases and tracks on boso, suol, cloud vision and not to forget his little summer hit *if* on connaisseur in late august, the vilnius resident has caught quite some attention over the last months. now, he completes this successful and busy year with his frst full ep on connaisseur called *moli*, featuring three new lovely tracks.

repress alert. the second release on kutmahs izwid imprint is a rare collection of bugged out electronic soul from the los angeles-based vocalist, producer and poet, seven davis jr. the lost tapes vol. 1 spans 12 years of experimental, cosmic out-of-body-and-mind music, of mostly four and eight track recordings once lost in storage via a lengthly hiatus due to drug addiction and depression

long established detroit talent keith worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, the price of non-conformance. t.p.o.n.c. is a conceptual project that takes you on a virtual walk through the streets of detroit. from a musical standpoint, the sound and feel of t.p.o.n.c. aligns with worthy’s own dna, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition. always striving to create his own path, and never allowing everyone else’s “norm” to become his influence, worthy really excels in this long player format. in total, t.p.o.n.c. consists of 14 tracks (including 8 songs and 6 interludes) all crafted to convey a vision of what non-conformance looks and sounds like. t.p.o.n.c. has range, from the boom-bap of the drums to the unorthodox patterns and key structures, this project evokes a sense of individualism that often gets lost in todays modern world of musical proliferation. in true detroit fashion, and in tandem with the spirit of aesthetic audios own mantra, t.p.o.n.c. maintains, the rule is there are no rules.

after the success of their first release charmin are back with another high quality wax. this offering showcases the talents of florist and close friend of the imprint tilman, all pressed up on heavyweight vinyl with a lovingly designed cover. the ep kicks off with “proof nothing” which is a statement of intent. deep, churning piano chords overlaid with delayed vocal samples all underpinned with a solid beat and deep bass. next up “raw” does exactly what it says on the tin. this is a stripped down thumper with crunchy claps and an infectious groove. “once again” has a looser, more percussive feel to it with machine gun snares rattling off overt the top of a killer chord line. bringing things to a close is “mood swings” which builds brooding atmospheres and eerie vocal snippets. all in all this ep carries on the good work of this exciting new label. charmin continues its journey to bring you uncompromising, underground house music of the highest order.

greek producer laces up 4 tracks that combine textures, pads, rhythms, & arrangements that to feel deep within your belly button. the term house has undergone many changes, but always music that resonates with a listeners soul.

after a 10-yr hiatus, this sydney underground label reminds us of how lethal australian techno can be. 4 tracks of serious bottom-end techno from one of the pioneers of techno in the southern hemisphere.

the colour chart of questo! music thrives into blue with no. 4 of this unmistakable vinyl series. this elementary impulse is an audible impact in the shape of three outstanding tracks by the close environment of the questo family.

from the heart, from the soul, this is where the jiminis music comes from. jimini is a french producer who started djing early 90s, during the last 2 years he released music on blind jacks journey, série limitée, lo-deep, simple things and others.

the ep is called spotlight diktat in reference to the feeling some djs have when they are on tour. a kind of dj melancholia generated by airplanes, dehumanized hotels, waiting hours in boring terminals, basically traveling alone. i made these tracks out of this mood. at first they sounds like the typical groovy dance tracks, but when the melody comes out, you immediately feel there is something wrong now the track is on and you still dance (of course its made for that) but you could almost cry to it too. so this is what happens when a dj or a producer has to do their job, but they aren t really in the mood for it. when the party comes, they just forget everything and make the show happen regardless. they have to bear the spotlight diktat and keep on entertaining people regardless of what they have in mind.

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

they did it again! phat and groovin! kering# joins the world for the love of music. together we feel! pz.!

finally, the right time has arrived! we are very excited to announce our brand new concept >tzinah on black<, represented by an authentic collection of mind-boggling grooves that are about to be released exclusively on wax. for the very first edition we are glad to divulge to our fans 3 tracks that resemble in depth the tzinah sound. from the top of our heart, we have grabbed crocodile soup, who, after the memorable tzinah showcase in berlin, went back to the studio to express all his feelings in >those magic moments<. faster makes his presence felt once again in our camp, bringing along a bunch of heavy bass and deeply mesmerizing drums that we can feel in his hypnotic trip that bares the name >vrei, nu vrei<. finally, the mystic duo of felipe valenzuela and jkco mosqueira is unafraid to take us for a ride on an enigmatic groove through unknown places, leaving us in a state of >inexacto<. will we drop this one in our main set or keep it for the after-hours? so, get your shelves ready, get your bags ready, and especially, get your turntables ready! >tzinah on black< is coming on vinyl only! from tzinah with love!

pressing on white coloured 180 gram vinyl, download code included.

bicep and midland collaborate for a 12inch. midland plays feel my bicep

the 4th 12inch from the playground is a 4 track ep featuring 3 original and precise cuts from the uk don along with a remix from roger that on the b side. on the a-side ellis mixes minimal house and techno with driving bass lines, comforting key stabs and tight snares. the b-side offers a slower vibe with a funky feel, including a remix from roger that. vinyl only and limited release.

limited nice price action
belgiums buscemi & japans jakam (aka moochy) give an already culturally rich sound, extra global influence. buscemi aimed for carnal appeal, seductive, dream like floor burner, jakam aimed for cerebral response with a darker & driven feel.

brilliant new balearic house ep from copenhagens music for dreams label. the opening track came to life when two danish djs - mads dalholt and zimino - made their own remixed version of al jawalas *go east* for playing out. mfd label head kenneth bager heard it, loved it, tested it out on his coma club dancefloor and it drove the crowd nuts with people literally screaming for more rewinds of this pumping horn-blasting oriental in-your-face party track. if you are a fan of acid arab and 80s leo mas/afredo style amnesia dancefloor madness then this one is for you. on side b we have the debut track from mads dalholt and partner landers - *zengo* is a sexy uplifting house groover with spacey keyboards, afro vocal hooks and a lively sax. followed by a second landers/dalholt cut, the slower more balearic *aelba* is built around a simple melodic guitar riff with some mellow xylophone bringing a warm sunshine feel. great debut for the young danes.

heidi lord wife of rephlex/weme artist jodey kendrick 3 of heidis tracks are featured on the famous edm compilation albums this is the debut album from heidi using a unique pallet of sounds from mri machines to modular synthersizers to conversations in a super market to her own processed voice co produced by her husband i could describe what the album means to me, but i would much rather leave it to listener to experience and feel and to interpret how they see fit

the debut release from detroit based dj steve miller is a funky 3 track house ep. outer zone is a bumpy, feel good track sure to get the crowd moving. fire boosters is slightly darker with a distinct detroit tech- house feel. love in the stars has a great female vocal snip. tasty!

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

jd records is proud to present one of detroits finest underground producers, gari romalis! gari has been producing music since the mid 90s and releasing on classic labels such as terrence parkers intangible records & soundworks and most recently on rawax, housewax, dockside records, hizou deep rooted music etc. this release is all about lo-fi disko house and features 4 tracks packed with analogue love and house grooves from the detroit underground. limited edition.

from the copenhagen underground comes a new raw house label. both known and up and coming talents contribute with anonymous releases on a series of two trackers exclusively on vinyl. for the first release we have a rare filter house workout with a disco sample filtered to perfection to give you that hypnotic feel when everything melts apart and comes together again in that breakdown. for the b-side we have another classic house exercise, one of those chop chop rollers that just keeps the floor going with its eternal bassline and an organ riff sampled and resampled into obscurity.

on this special compilation celebrating bis 15th anniversary we are treated to three discs of stellar picks from tim s record bag. this vinyl version containins a host of exclusive tracks and edits from azari & iii, edwin starr, dukes of chutney & secret circuit. long live beats in space!

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts living half a world away from their birthplaces. their concept is to play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but remain true to the original.

the title track reveals a deeper and more contemplative mood for 2014, with a pensive piano loop, a dark-toned deep house swing, and a vocal sample that speaks to the experiences of the disenfranchised. chris lattner s remix of the same provides a punchier and more dramatic rhythm track for maximum impact and a more urgent effect. b-side production -morning poem- harnesses the power spoken dialogue again, with a big flter of distortion, and wispy, whirring deep tech sounds tha testablish a late night feel.

discomaths 002 brings us clips sweetest and most emotional side. further removed from his techno facet, but no less intense!

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

the sweet-sixteen issue featuring exclusive tracks by young electro prodigy fakear and kitsuné homies logo, as well as soon-to-be classics by the likes of jaws, new puerto rican sensation buscalbulla, dance-punk duo sego, danish beauty kwamie liv and more!

marco shuttle and fellow italian techno legend donato dozzy team up for a duo project under the name anxur, a collaboration that combine two artits that certainly have a wide common ground when it comes to vision and musical aesthetics. the anxur takes vol.1 is the first instalment of the duos output, the release is a 2 tracker that have a strong esoteric feel as you could expect both from the label and from the artists involved but still maintaining quite a straight 4/4 dancefloor vibe

fantastic four track album sampler from jay haze & esb’s forthcoming ‘finding oriya’ album released this november on leftroom. philadelphia-born producer jay haze has carved out quite the career for himself over the past decade, having headed up the successful tuning spork and contexterrior imprints, as well as operating under his fuckpony pseudonym which has seen him unveil material for the likes of get physical, cocoon and bpitch. here we see haze pair up with esb (electric sound broadcast) aka elan benaroch, notably known for his work with canada’s deepen sound, to deliver a long player for the leftroom label. finding oriya is the musical culmination of the journey towards fatherhood for haze, here we see haze & elan explore a variety or ethereal, mind-bending and profound textures to create an intelligent, understated and charming collection. from the electronic beauty of finding oriya, the dropped-tempo nu-disco tinged feel of founded in you, through to the entrancing feel of friday always remembers, ands the mid-tempo magic of cant keep giving in, this eclectic four track sampler is a great introduction to the eagerly anticipated album.

on tuff ruff the ethiopian producer blends cultural vocals and swirling synths with a masenqo lute, giving the track its worldly flair. the composition - a seifu-described mix of ethiopian folk and uk garage, doesnt feel like a dance song theres an ancestral vibe at work, something richer than the typical oontz oontz youd hear in nightclubs. as a result, tuff ruff isnt weird at all. just approach it with an open mind.

i feel this is antons deepest production since uq-018. each track provides the right elements for different times on the dance floor!! dj jus ed!! repress 2014

nach diversen 12inch singles war es an der zeit, dass discotexas-mitbegruender xinobi endlich sein debuetalbum veröffentlicht. das werk stellt die breite der einflüsse des djs und produzenten vor. eingebettet in einen organischen house-sound mit disco bezug treten immer wieder vorlieben für pop hervor. die 54 minuten spielzeit sind homogen und vielfältig zugleich. es gibt intime, kontemplative momente aber auch eingängige refrains. rauheit a la caribou wird mit ennio-morricone-artigen sounds fusioniert. dj kozes fragmentartige deepness aus der kulisse des sonnigen lissabons heraus produziert. spaghetti-disco oder supermax in jamaikanischer dub-version. surf gitarre und deep house.

his music spoke to you in some way, and now we want you to speak to us. the language is up to you - do whatever you feel like! some of you will paint, some of you will print, some of you will do things we couldnt even think of. all of you will be a part of the movement. a movement against the one-sidedness of the producer-consumer relationship. a movement against the hurried zeitgeist. a movement against the grain. we are the swedish electronic liberation front. we dont have customers. we dont have followers. we only have members. and youre invited to join us.

we are very proud to present our next release in the series -various people-. the first tracks comes from the very respected and highly in demand us artist -reelsoul-, reelsoul delivers a classic underground vibe, raw beats and harsh organ stabs, one for the heads! next up, true to our plastik people tradition another track from the vaults! this time we see c & m productions track -possible-, this track originally came out on the lesson one ep back in 1997 ,which to this day is extremely rare and hard to find. last up, label boss marc cotterell delivers a new track under his -cotterell- moniker, striped down beats from that 95 era, organ stabs, old school vocals and a baseline that will destroy any dance floor. very much reminiscence of early kot who he loves and respects very highly

o.v. wrights album -into something- wurde von hi-records qualitativ so hoch eingeschätzt, dass man den künstler mit den besten voraussetzungen für die aufnahmen ausstattete: memphis horns and strings bilden die backing-band, ein gewisser james brown spielt piano, und die besten background-sänger aus den eigenen studios wurden verpflichtet. o.v. wright, der ja zuvor schon mit al green und ann peebles aufgenommen hatte, nutze die gunst der stunde und produzierte dieses kleine soul-juwel und überzeugt zudem mit seinem einzigartigen gesang.