urgent 002 has landed! here again, deego fresh drops a couple of fresh & rolling stripped-back bombs just in time for the summer while the guys from odd dig in deep on b2 with a slower groove backed up with some serious percussion work. another superb release from urgent!

klangscheiben records is proud to present its frst vinyl release of a brand new series, a various artists compilation entitled „the fable“. while some tales start with “once upon a time“, this one begins with the candid rhythms and guileless synergy of german duo metaboman and large m’s “taverne master”. canadian minimal masterminds akufen and pheek each provide their own input: the former’s weaving synth-driven jazzy storylines, the latter’s a trip through fragmented instrumentals and a min-tech narrative. klangscheiben label boss demas shows his fangs with a brooding slow burner permeated by skin-crawling microsounds, a flow picked up by montreal producer magnanime’s “psychomagic master”. ark’s parable is awash with echoing vocal snippets and an addictive piano riff, melting into the strange sound of tom ellis, whose “shotgun” is at once stripped back and full of life. tomas jirku wraps up the release with “one monkey”, a glitchy, eccentric minimal piece that is as unpredictable as you’d expect from the vancouver producer. the moral of the story? listen and fnd out.

with a string of successful releases under his belt, both on his own label crossfrontier audio , as well as sudbeat, last night on earth, freerange, and get physical to name a few, the message behind 35 is simple: an album showcasing the different moods and moments of a club night, where warm up tracks tease and build toward pumping peak time floor fillers, holding for a while before gently easing into after hour delights.

after the immersive techno pulse of qindeks effe 12inch, wavereform is thrilled to present the return of rising lativan talent juras lietus to our label for our fifth release. his debut single des-m marked our second release in 2014, and while the artist remains something of a mystery outside of his home city of riga, his productions sport the kind of well-travelled tones that transcend geographical location to deliver an infectious message. the single kicks off with metallic thump of >steiga<, which leaps out from the very start with an addictive chord line and a well-rounded kick. juras lietus handles the progression of his track with poise, feeding in a rich tapestry of percussive elements and teasing the filter on that distinctive synth to give the track a fluid, psychedelic flavour. balancing these elements out is a warm, undulating bassline that injects a joyous energy into the track, while the soul-stirring speech sample should be familiar to any socially conscious dancer. its a production that satisfies the needs of a party-hungry dancefloor while equally delivering the internal reflection that comes with all great dub techno.

large music continues to showcase the brilliant and creative work of early 90s artists black ice with a re-issue of one of the most sought after early chicago house releases- the union camp ep. originally released in 1993 on the historic night club records, large music has now licensed the tracks exclusively for a worldwide vinyl-only release. while all four tracks possess that classic raw chi-town soul vibe, it is track 1, men on drums, that has garnered the most attention. championed the last few years by respected berlin-based dj zip, many of the elite vinyl-only djs across the globe have sough out a clean copy of this very rare wax masterpiece.

2015 repress !! the prolific lay-far has had a string of stunning 12 inches over the past few years and nothing seems to be stopping him either. aroop roys eclectic work as a producer has been supported worldwide by numerous tastemakers including gilles peterson, kyoto jazz massive, patrick forge and laurent garnier. we got in touch with aroop after hearing his brilliant contributions on g.a.m.m. (brazil breakdown part 1 & 2) and on his basic fingers debut he continues his trait of delivering top quality reworks. three versatile tracks that pack a mean punch. rare groove, steel band disco and a slice of funk - it is all in here. come get it while its hot!

thanks to infamous martin waslewski, this ninth heulsuse release should definetly have several festivals of the hook. a-sided -chain gin- comes with stunning vibes for the summer season, while -noba- gets contrastively deep. but be sure - by no later than -rasperry heaven- this release becomes epic in a wellrounded manner.

u2xproductions presents, i m yours written by niko marks and featured artist, sadiqua. niko expresses true detroit deepness while allowing room for a sultry female vocal to carry a bit of melody throughout each mix. a1 starts off low tempo and very dance friendly while b1 delivers a very funky baseline and leans to a more aggressive beat. b2 gets really deep and plays down to a minimal pulse. this release is a definite dj record with smooth and rich grooves that will make a great fit into your playlists!

scrambled rhythms features two original classic house tracks from the outstanding hector moralez alongside two brutal remixes. the real house gangster dj sneak is guilty of an acid interpretation of ten 30 one 33 , while the prolific artist tuccillo completes the b side of the release with a different approach to scrambled rhythms . roush continues with the hard work while we expect you love our first vinyl press as much as we do.

after releasing his sophomore long player - we walked home together - through fiakun, el_txef_a returns with a series of remix packs on his own newly created label, forbidden colours. while the first pack - supported by chloe and dixon amongst others - brought us the darkest side of the album, the basque imprint now explores other textures.

incl download code , since a few years mrz is steadily shaping his dancefloor sensitivity on zürich s underground and sophisticated parties. its not a suprise you can whitness mrz s flow on his new productions becoming more natural as it does when he performs live. these three tracks plus instrumental are only a pick of many great new tracks, so we hope you are going to like our selection: title track konterversum is just as you d be sneaking in a stairway and catching a couple - to our surprise - having a dispute while the party booms behind the door. subversly charming. multiversum does somehow picture how it feels trying to quit a conversation at phone - while riding an edgy but flowing groove. circaversum is basically held in swiss german dialect and we let you guess what they are talking about. we insisted on an instrumental version of the track for those not so much inclined into three-guys-jacking-the-mic-in-the-studio. it was worth it.

appropriate to the golden gate club s philosophy and attitude, -its never to late for gate-, ggcr is coming up with cat.002. it took nearly 2 years for this second release, we could also say, better now then never or good things take time, but hey, who cares anyway? to the content, -golden times- is a exclusive various artist collection, trying to reflect the wide spectrum of sound we find in the place. four very different producers with four different tracks but yet a unique vibe. techno, deep house, tech house and electronica goes here very smoothly hand in hand. while only three of them, saytek, midas 104 and elizar & dromme are placed on the vinyl, samuel fach s -technologie- has been added as digital bonus.

featuring 4 producers that cross musical spheres is the labels way and again roster members are handed the keys to the treasure while welcoming other, less unknown producers a chance to highlight their aural visions.

san franciscos very own pagan anarchist acid rave sons dj spun and jonah sharp team up with skate punk legend ray stevens ii and liquid liquid / fist of facts sal principato for their sophomore release on golf channel. a short sharp shot to the head, its hot is a fast & vibrant piece that evokes bygone, punk, no wave, genreless days - and at a fair clip at that. the bonus beats strip it down to the skeletal for some voodoo business while the columbus hotel mix is a version that sounds like nothing else you will hear this year. industrial techno tribal goth dub vibes for 2075 and beyond!

while music in its definitive nature fills both space and time, creating environments in which we live and breathe, these miniature dramaturgies string together to become the screenplay to ones existence. sometimes chosen, and often times forced, these sounds influence the subconscious and designate emotions. purposely flowing fluently through a spectrum ranging from theatrical to rapturous tensions that mingle through the night. cio d or s cinematic compilation for semantica explores another side of techno, a niche home to cio where each intricate sound takes a risk for the sake of progression.

a black, very black, vinyl record which stands out compared to previous releases on limited. the sixth chapter of andrea belluzzi’s label is titled black series because its objective is to devastate the ordinary lines of techno and let loose the dark black wings which are the base of the project. on side a, mike storm and transientx4 lead us through a gradual scale of mysterious and mechanical loops capable of hypnotizing while increasing the level of pathos. this culminates the gradual build up to the third track, produced by andrea belluzzi, with a perfect balance between dark techno and ambient in a mental voyage which seems to never lose itself during the entire 7 minutes with the perfect energy for the dancefloor. the record ends with the work of ken karter which, although is strictly mental and super hypnotic, manages to offer a distinct danceable rhythm marked by low frequencies which remain slow but captivating with a wide array of sounds which grow without boring the listener.

those with a passion for heavyweight electro and drexciyan sounds have long held french producer franck kartell in high regard. he s been working away on the fringes delivering high-grade material for a decade, and finally got round to dropping his debut album, afterlife, last year. here he delivers a swift follow-up, effortlessly flitting between icy ambience, vector lovers style electro-idm, creepier compositions, and the kind of oddly symphonic, soundtrack-inspired fare that exists to stir the emotions. its a far more fragile sounding set than some might expect, but no worse for it. while theres little dancefloor material on show, kartell s downtempo fare is a cut above most of his contemporaries.

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album “bolivia” that they are trying to do another kind of music – something that isn’t entertainment, something that isn’t show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer “flamingo”. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play “flamingo” in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the cómeme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

twenty-eight homespun stunners from the alamo city s scrappiest souleros. the royal jesters were the kings of san antonio s cross-cultural teen scene in the 1960s, soundtracking lovelorn slow dances with their heart-sick harmonies. for the first time, english oldies gathers the best early doo-wop, r&b, and blazing latin rock and soul from these tex-mex masterminds - a simmering melting pot of diverse regional flavors, best served hot.

with future releases from the likes of reset robot and geddes, truesoul is positioning itself as a label to be reckoned with. after a storming 2014 with releases on viva, quartz and snatch off, onno is back with his first ep for 2015 on adam beyers acclaimed truesoul label. for this 3 track ep, onno explores the more techno focussed part of his sound, while retaining that bottom heavy, hip hop inspired groove that he is renowned for.

danny moore aka pvre matrix is from a generation of young techno producers out of brooklyn who come at the music without preconcieved notions or boundaries in their approach to production and playing live. he is the epitomy of the slash and burn blitzkrieg attitude of new producers popping up under the jmz everyday. while very interesting to see the scene develop this way, few have executed in such a fashion as pvre matrix has. impeccabily produced without losing its sense of urgency or brutality and clocking in at breakneck speed, pvre matrix is out for blood, and his three track debuts prove as such. while you might not catch danny moore in your local big room anytime soon, he is undeniably a force that is present and will crush you regardless.

on the first side side we got the title track kings & queens, featuring carlo and the unique voice of the singer / songwriter gjaezon. trippy chords combined with whirling hi-hats give that track a special melancholic, dark and warm feeling. perel transformed the second track speakerbox straight into a club banger - jacking grooves and cut up vocals by gjae, thats how we like it. and now sit back and relax while ranko serves you his cocktail of slow-motion funk and dubby grooves in his clarapark remix. on the flip side oliver gehrmann starts with his version of speakerbox: a floating and melodic sunrise hymn, including such a rolling bassline that your feet will do all the work for you. odysea take you back to the golden age of house music, therefor the boys created a soulful remix with majestic strings that give you nothing but goose bumps.

norwegian duo trulz & robin throw down the gauntlet with the third vinyl-only statement from the cymawax label, delivering an acidic take on their patented ‘hot and crunchy techno with soul.’ the prolific pair from oslo have been a force in their country’s electronic music scene for over two decades, with massive singles for full pupp, eskimo recordings, and the cymasonic and cymawax labels to show for it. now, the agent acid ep finds trulz & robin infiltrating the secret lair of a 303 conspiracy and decoding a quartet of sonic documents full of heavy synthesized funk. the ep’s title track is a slinky introduction, featuring battling analog squelches and drum machine patterns while a disembodied vocal plays on top. “i disappear”, adding collaborator brokkoli on the voice, is a more in-your-face effort as its pulsating sequences give way to floor-thrilling breakdowns. the low end might of “magnetisk smultring” showcases trulz & robin’s experimental side, complete with a disconcerting middle passage that soon reveals gentle synth melodies over a hypnotic rhythm section. then “my body”, the release’s closing track, introduces mysterious feelings … percussive clicks and tones build steadily as dub effects, sharp washes, and ominous whispers take hold. the agent acid ep is another triumph for trulz & robin … a masterclass of covert nightclub maneuvers.

you re next: growling reece and jumping drums. ulterior motive show no sign of let up after the debut album the fourth wall. menacing and dancefloor tested *you re next* was made specially for the floor.
music city: super funk. blaxploitation. ulterior motive resurrect a style not heard for a while with this one. sounding live and full of energy music city is the slick older cousin of 2014 album cut sideways and will no doubt be just as popular.

returning home after the acclaimed holding ep and the highly regarded clap clap remix, lurka continues with his journey into sonic bat country. partials kicks off with lurka’s typical intrigue, pads swell with distant spectres of percussion build into the most saturated kick of the year slapping you in the face like wet rag, while an architecture of syncopated hats and bit crunching snares lock the angles a shower of haunting bells falls. dancehall for witching hour. mach steps in with an equally holo-deck soundscape. drums swing in awkward alliance with dry wooden blocks and woozy binary language. both tracks united in their skewed viewpoint and distinctive awkward funk.

>figmentation< stefan vincents debut on traut muzik, including two tracks, a remix from the label boss and also a locked groove. >delusional< is an authentic killer, a perfect weapon to activate the dance floor with dubby chords and classic 909 percusions. on the same side jonas kopp, minimizes the original providing his talented vision of techno music. >a drones loneliness< is a timeless track with the unmistakable touch of detroits sound, while >one< closes the record with a functional techno tool for djs.

mina records head honcho masaya returns to her ever-impressive imprint this june with a blistering three track ep *la nuit*, featuring a remix from agaric.
ep opener *la nuit* shimmers into life over buttery synths and shifting percussion while ghostly intonations and warm resonations combine to deliver a deep and affecting cut that immediately leaves you wanting more.
for the b-side claudia teams up with fellow vocalist anders ilar to deliver *stars*, a sumptuous affair with delicate percussive arrangements and long-drawn-out synths. drumcode and ovum recordings affiliate agaric steps up for remix duty and utilizes dynamic hooksand hypnotic rhythms to dish up an infectious version of *stars*.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

mark e makes a rapid return after the hugely successful e-versions series, we now embark e-work! while e-versions celebrated the full, dazzling shimmer of the disco ball lit dancefloor, e-work turns down the lights, and turns up the system for some pared down sonic sorcery mark channels his years of experience, digging, djing and producing to distill the essence of the chicago house blueprint & divert into an altogether more 21st century destination emotive, muscular machine jams then, in vocal and instrumental versions. lets work!

after waiting 3 long years, and finally getting the multi track session to do a b side, im proud to present the star blazers cover version of the masterpiece danger zone which was originally done my midnight express. many should be familiar with detroit producer recloose, while back in new zealand he assembled a band who called them selves star blazers (an ode to the 70s legendary japanimation series and a big hit on bostons tv38.. indeed recloose is from massachusetts) and they recorded a few cover tunes.upon hearing this i knew it was special. while most modern covers miss the mark, purely emulating and sounding like a cheap imitation, leaving me wanting to just play the original. they flip the tempo, swing and vibe, straight up owning this and making it their own.

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that’s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with ‘payback’. a dubbed out affair that’s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent.“tunnel’ continues where ‘payback’ left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that’s clearly evident within all of stojche’s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, ‘sinister alley’ should be further proof of the macedonian born producer’s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. ‘sinister alley’ opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche’s musical journey and much more than just another release on his label. it’s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he’s been exploring for quite some time, catalyzing imagination and furtherance that’s beyond tangible.

scratch bandits crew is back on track with a new album and new live. created in 2003 - and touring since then, scratch bandits crews new album goes back to basics through its unique musical signature that is recognized by the musical industry and a faithful public. scratch bandits crew evolutive music follows the hip-hop rules while suggesting a new writing and composing work with various references and technics such as hip hop beats, electro basses, seventies sample or jazz backup.
the double vinyl lp includes a download code.

limited 2015 repress !!
the founding member of legendary source label from heidelberg is dropping three brand new house tracks, which differ from deep to minimal and from dark to funky. while move d is doing a pause with his labelwork he s pushing his output as an artist. so there s also a re-release of his high acclaimed >kunststoff< longplayer on city center offices as well as a 12 inch on compost black and the long awaited third album of his electronic jazz project conjoint is coming out. so, the >got thing< 12 inch is compared with all those other releases directed to the clubfloor and for sure these three amazing groovy tunes will work

limited to 300 copies. support from josh wink, luke slater, dvs1, pfirter, marco bernardi, markus suckut, ambivalent, ben sims, marcel fengler, randomer & mosca.
brack, the new imprint from uk-born berlin-based producer bnjmn, is back in quick succession with another strong transmission from the label boss. after plunging into dirtier, darker sonic waters on the pitchfork-tipped brack001, chromed continues the descent. while the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. drums don’t just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. the rapidly flourishing sound world that is brack comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

after his album at disconnected moments a while ago, smallville regular stl presents a new 12. within the 2 tracks, stephan laubner meanders along the crispy raw ways, always with the special groove that makes him stand out from everything youve heard. only stl knows how to keep this tension. welcome to euphoria.

here after a while coming back with a special one including one new-unreleased track by john swing ... great release!!!

two of house music s finest and most respected artists, kiko navarro & dj fudge, join up for a magnificent debut outing on large music. created over a period of two days in the hong kong studio of dj fudge, each track showcases sublime chords, elegant grooves and classic summer vibes. the b side cut limbo even edges into more minimalist territory while still preserving the emotive elements. as a bonus we enlist large artists purple velvet for a deep house rework of anyway i want in their trademark chunky style.

the fourth and final edition of schleiben is an extra special one, bringing forth acollaborative project between colin potter of nurse with wound fame, not waving artist alessio natalizia and brain machine s guido zen. furthermore the series ties with dusseldorf remain, as osnabruck based producer niklas rehme-schluter lines the flip with the beautiful ambient touches of his cass project. the two part efforts from potter, natalizia and zen offer a perfect marriage of methods, with percussion hinting at and techno, while the constant drone influx and disintegration grab your attention, overlapping with rhythmic repetition deeper and deeper. the cass contributions see tracks from the german artists cassette only hiding place album presented on vinyl for the first time and fit snugly into the sonic ethos explored over the previous schleiben releases

psyth launches with the debut ep from rob shields. with a delicate urgency driven by a pulsating post-punk bassline, shards lavishes layer upon rich layer of sound, evoking the cool grooves of peaking lights and chromatics, while a shimmering vocal sample from rebecca sawyer adds an otherworldly sense of longing that echoes through the soul of the release. silhouetted appears more conventional and dance-floor friendly next to shards, but under the surface is something unique and strangely exotic. a mantra-like melody loop gives a nod to minimalist composer terry riley and his solo organ works, while world instruments such as an african kalimba and tibetan singing bowl only heighten the hypnotic and intoxicating quality even further.

parasol dance embodies the musical headway and fruition fabio experienced exploring different soundscapes and rhythms in his london based studio this last year. the crisp analogue cuts in the album are peppered with monesis organic evolution from the new jersey sound drawing inspiration from jazz, funk and even acid/jackin house, all the while never faltering on the end product of raw undulating grooves.

after previous releases on hija de colombia, el nino andres (here credited as el nino only) debuts on new vinyl label called jackie brown. jackie brown aims to release series of mini lps, providing conceptual music stories, while at the same time not neglecting the main consequence of good house music – dance groove. house music infected with funk, soul and boogie grooves – we are not inventing nothing new, we’ve been inspired by many labels that came before. el nino delivers first story on our label, and in our humble opinion shows the very best side of house music with a groove and soul. though not all tracks are lengthy and floor ready, they make a great ensemble on “no boogie nights”, while tracks like “odds against tomorrow”, “thieves in the night” and “something ain’t right” work great on their own. everything is rounded up with amazing artwork from maximilian moser.

red laser returns with four tracks from ste spandex. if you ve heard any ste spandex productions you ll know what to expect ! this ep is a fascinating collision of diverse dance music aesthetics & bristles with energy and passion. as usual all the tracks are live takes with various hardware working overtime from ste s orchestration. side 1 features two tracks with long time collaborator sarah bates. soaking wet is a peak time workout with tightly sprung drums, whirling effects & sarah s vocals weaved enticingly throughout the track. next is breakin my heart, an addictive bubbler melding house and boogie feelings with the vocals more centre stage. side 2 kicks off with gotta move, an 80 sesque grinder. pumped bass rubs up against squelched keys and peaky synth riffs, while nice weather closes things down, a short and sweet movement of shuffling drums and swerving synth action.

returning to hakt after his 2013 single n1, cale parks continues to chart a compelling new path with the lagoon fool ep, his second foray into solo production. as the current drummer for yeasayer and a prolific collaborator both in studio and live, cale’s creativity knows no genre. the five tracks on offer sneak from the beaten path, complicating signifiers of style, gently tweaking the standard grammar of club music, and remaining accessible all the while. assembled in his brooklyn studio, but sonically sourced from his grandparents’ tennessee farm, lagoon fool carries that sublime, somehow inviting ethos of the appalachian range. airy and tectonic at once, impeccably detailed, yet easily taken as a whole, it’s a rich, deceptively layered listen. as a skilled songwriter and a produce quickly proving his caliber, cale has composed a suite that demands multiple listens and a place at peaktime just the same

for the third whole truth ep, the nameless producer is joined by la vocal duo lucid paradise, comprised of ishtar and e. da boss (the latter is best known as the deep-voiced half of stones throws myron & e). on *party down* extends the direction of the tom noble mix of myron & e s *do it disco*, bringing beautiful modern soul vocal stylings to a limber groove that could have graced west end records in 81. the pair also duet on *who s taking all the love?*, while the whole truth flexes his dub muscles and drops some deeply burnt chords. this ep follows releases on the whole truths self-titled label in collaboration with uk dub legend erroll bellot and anglo-mauritian producer, singer and vocalist mo kolours, which found favour with the likes of optimos jd twitch and mary-anne hobbs (bbc 6 music).

r e p r e s s ~ 2 0 1 5 *** this time cabin fever relies on the production skills of a true master. a rekids album artist and true pioneer in the house and techno music scene, mr g, who drops two killer tracks. once again limited vinyl only release. while vinyl with a thin blue line

hot creations deliver their first artist album of the year with the parisien luminary popofs, love somebody.

koehler the bastard back on bh, with his spar kuno in tow. no u turn versus bunker nastiness. the flying dutchman aka a made up sound must have nerves of steel to try remixing this evilous gnarl. his first move is to deep-freeze the fucker, while he prepares a ministration of snare to wake the dead.

rrose returns to eaux with three new spellbinding techno tracks. *levitate* starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while *vellum* is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. on side b, *signs* takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible.

with a magnificent compilation dial records celebrate their 15th anniversary! all offers a collection of exclusive works by long related label artists and friends. part 1 of the vinyl 12 inch edition features contributions by stefan tcherepnin, dj richard, christian naukoks, pantha du prince and queens.