yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

towards a fearless future…
roberto auser is known for his wide range of sounds and releases on viewlexx and his own ausland label. next to that he is part of kaval (vrystaete). even though his releases until now go from italo disco inspired electro to exotica and dark jazz influenced electronics his production is always rather smooth. for enfant terrible he shows his raw and dirty side. “faceless future” is an old school minimal elektro record done with analogue synths with a real industrial and post-punk attitude. this record pays tribute to (early) cabaret voltaire, (early) front 242 and (later-day) le syndicat electronique. simply minimal electronics as it should sound… rough and unpolished…
limited to 250 copies.

four never before released or publicly available demo cuts from the writing sessions of craig peyton and jolyon skinner circa 1983-1985. the duo produced and wrote hits for artists in between working on their own projects. these songs survived the past 30 years on a cassette tape, which was lovingly transferred for this exclusive to peyton records release. after their short but fruitful collaborative period, peyton went on as a writer and band leader and skinner went on to have a career as a songwriter for pop acts such as joe, nsync, and freddie jackson. in the words of craig peyton: “jolyon skinner and i met in the early ’80s through our mutual friend keith diamond (the trinidadian producer of hits such as “caribbean queen” by billy ocean). after we met, jolyon and i started regular writing sessions at my nyc p-factor studio. our first break came in 1983 with howard johnson’s “let this dream be real-. that was followed up with “love of a lifetime” by melba moore and “where ya gonna be tonight” for will collins. after this we were offered a recording deal by april blackwood music, but due to my contract with profile records at the time we couldn’t accept it. shortly after skinner got signed to zomba and we stopped writing together around 1985.

celldöd, aka anders karlsson, has been releasing dirty electronic music since the late 80s, both small-run cassette tapes inspired by the diy ethos of his post-punk background, and pristine vinyl editions. karlsson s music is uncompromising and edgy, with roots in both early electronic and 70s industrial music from britain, as well as us techno and kraut-inspired german electronics. prior to releasing records under the name celldöd, he released music as the pain machinery (ebm), human experiment (industrial), preset (industrial/breakcore), and hbt (proto-techno/industrial) among others — all unified by an omnipresent diy-punk attitude.

few can fail to have noticed the re-emergence of italian deep house in recent times. tracks paying tribute to the dreamy, loved-up and new age-influenced style pioneered by italian producers in the late 80s and early 90s are ten-a-penny these days, though few are quite as breezy and evocative as this ep from minimono. the fact that it s appearing on re-born rome label vibraphone - dormant since 1993, but brought back to life late last year - is rather fitting. the duo s dreamy, melodious and tactile style - see the fluttering synthesized flute lines and tactile grooves of -sailing-, the horizontal house bliss of -suspend-, and the ron trent style slickness of -next step- - is perfectly in keeping with the label s wavy, sun-kissed ethos.

die form is a french post-industrial and electronic band formed in 1977-1978. the name die form means (the) form/shape in german and is a play on the english homonym deformed and on the french homonym difforme (deformed). die form is the primary project of electronic musician and multimedia artist philippe fichot. he began by recording a number of experimental cassette releases in the late 1970s and formed the bain total label to release these early cassettes, as well as various side projects such as krylon hertz, camera obscura, eva-johanna reichstag, hurt and fine automatic.

berlin is home to both andrew claristidge and leonard de leonard and these 2 amazing producers have joined forces to create a new side project away from their respective main duties with acid washed and leonizer records. the collaboration between between andrew & leonard or ac & ldl as they are know for this release has created 3 outstanding tracks which already come heavily supported by the lucky few who have early copies of the release. the final track of the this 4 track release is a remix of the title track from acid washed who need no introduction. the ep named after the title track is increase the dosage and comes on a 180gram green record with unique cover art from the talented artist morgan navarro.

having previously worked with zero 7 and nightmares on wax before embarking on a solo career a few years back, mozez (aka soul singer/songwriter osmond wright) is no newcomer. the ray mang-produced run river first appeared on last year s wings full-length, and here makes it to wax for the first time. sitting somewhere between early freeez and odyssey, mang s extended vocal version is something of a soulful, soft-spun disco-funk treat. as we ve come to expect from mang, its musically rich and impeccably played, with the live instrumentation providing a deliciously organic feel. this can be heard more clearly on the excellent flipside instrumental.

in den späten 60er jahren entwickelte sich reggae weltweit zu einem dominanten musikalischen genre. die frühen jamaikanischen original reggae-aufnahmen waren bekannt für ihr hohes tempo und energielevel, das sich deutlich von den langsameren rocksteady tunes absetzte. die frühen reggae sounds lieferten den soundtrack für die britischen rude boys der siebziger jahre und erfreuen sich bis heute einer großen beliebtheit.
diese vinyl-only compilation auf dem legendären reggae-label trojan records liefert die besten tracks des »early reggae«.

after a run of releases including music from rex club residents d julz and phil weeks, and a beautiful atlantic breakaway with fred p, rex club music brings in the boss of poker flat recordings, the maestro himself, steve bug. a gentleman and a scholar who has been a key figure of the techno scene since its very early days, steve bug is also the mastermind behind a prolific and in demand label. he is a man who is always on point, looking to the future, maintaining the present and drawing on the past to operate in that magical intersection between the different eras of time.indulge in this short course of rexology for proof of his mastery, which is expertly applied with this polished new ep.first up we have ‘what’s happened’, a track that occupies the space between tech house, acid and dub. get ready for some hard stepping on the dance floor when this track is unleashed. then rod goes in hard with two remixes of ‘what’s happened’, upping the ante, increasing the tempo and urgency to create an air of emergency. with ‘remix one’ rod has us on high alert, while ‘remix two’ focuses a little more on the groove and catchy analogue flashes. on the flip we have a night of ‘berlinian rexing’, with its time-lapse atmosphere allowing us to teleport between berlin and paris in a cacophony of whirring synths and uplifting stabs. the track plays on timelessness, creating classic tropes and creating the kind of atmosphere that underpins all of the most unforgettable nights.

following recent releases from vakula, alex danilov and andrey zots, arma turns its focus towards the unique, transcendental sound of hypnobeat. the project has its roots in the diy industrial scene of frankfurt in the early ‘80s, spearheaded by perlon affiliate james dean brown (narcotic syntax) in collaboration with artists including tobias freund, victor sol and pietro insipido.

glenn astro is a living legend. on this dj essential we compiled six of his most outstanding early productions incl. colored sands, three killer tracks from the tearz ep and a groundbreaking but almost unknown remix of scherbes me and my mouse

big electro rave remixes that remind of the early 00s when the gig i-f, tiga and miss kittin tunes rocked the clubs. disko b is back in action with a remix package of the huge control track by artist unknown! the hacker, housemeister and ferenc on remix duty, but the original is an essential track itself.

outstanding techno banger with early 1990s pre-idm uk techno reminiscences - highly recommended!

abstract theory is back with a new vinyl release, this time coming from the israelian techno master itamar sagi (be as one imprint, ovum, sci+tec, drumcode, soma, intacto) who delivered us three wonderful peaktime stuff.
early support by ame, robert owens, alan fitzpatrick, slam, marco carola, leon, steve lawler & many more.

the second chapter of this young danish talent s spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of belgian labels like r&s and buzz.

tee mango is the alter ego of millionhands founder tom mangan and imperfections vol. 1 is his debut long playing record. after the success of his theo parrish inspired tribute 12s tee mango returns with imperfections vol. 1.early support on this coming from: caribou, leon vynehall, axel boman, tim sweeney, moxie, wolf music, laurent garnier, kornel kovacs and a selection of others. imperfections vol. 1. is a celebration of off kilter electronic music. featuring vocal contributions from femme aka laura bettinson of nigel godrichs ultraista, and the edo van breemen of canadian pysch wizards brasstronaut. full of pleasantly discordant musical mistakes and loose sample-laiden coincidences. fill your boots. x

belgian duo raw district return to the crosstown rebels label with addicted, teaming up with the formidable aquarius heaven again for the label, this time remixed by the infamous doc martin and keinemusiks rampa. an ex reggae dancehall and hip hop singer aquarius heaven brings the colors of the caribbean to addicted. raw districts flamboyant percussions grinds the beats into a track that stretches the limitations of electronic music. rampas remix illustrates the breadth of his studio skills, as founder of a production company teile, he builds soaring synths and strumming piano to elevate the emotional aspect to addicted equipping it for the early hours of the night. doc martin has earned the respect of many over his extensive career for his timeless style that bridge many genres. his remix is a driving, dub-tastic, tribal take on the original that has been going down a storm!

repress - the original process of re-mixing records was intended to provide an alternative listening experience which had been optimized for people who went out to dance at discos. john was one of the early pioneers who loved music, understood his craft and had respect for the creative work from which his mixes were derived.

the original process of re-mixing repress , records was intended to provide an alternative listening experience which had been optimized for people who went out to dance at discos. john was one of the early pioneers who loved music, understood his craft and had respect for the creative work from which his mixes were derived

• 180 gram audiophile vinyl
• pvc protective sleeve
• featuring tracks from grandmaster melle mel & the furious five, arthur baker, afrika bambaataa & the soulsonic force + shango and many more!
beat street is an american 1984 drama film featuring new york city hip hop culture of the early 1980s, breakdancing, djing and graffiti.
there are several performances in the movie, notably from established early hip hop groups, grandmaster melle mel & the furious five, doug e. fresh, afrika bambaataa & soulsonic force and the treacherous three. as a member of the treacherous three, kool moe dee also appeared in the film.
beat street’s impact was felt internationally as well as throughout the united states. in germany, for example, beat street is credited with introducing the hip hop movement to the country.

stockholm-based imprint swedish brandy productions serves up a sultry four track v/a 12 inch with deep and soulful gems. first out on the a side you get the track * legs lover*. equipped with yamaha rs-7000, moog rouge and roland juno 106, moscow based house and techno purist and producer harry light gives us an uncompromising old school deep house groover with crisp pounding beats, stuttering chords and distinct catchy hooks. harry light has previous releases on labels such as artreform, pro-tez and beef to name a few. the a side ends off with the post-disco sounding killer track “overland & sea” by london based producer and dj dan westlake aka westlake72. dan’s sound borrows liberally from the history of club and dance music, mixing and matching eras to create his own contemporary sonic palette, sighting the early and mid 80 s new york post-disco producers such as darryl payne and paul simpson in particular as key influences. on the flip side soultechnic aka deejaykul delivers the deep and classy track “addicted”. rául navarette, the man behind both aliases, has been holding it down since the late 80 s, releasing music on labels like atjazz record company, z records, peng, del, basic fingers and xtrasolar records, and remixing great artists like opolopo, the rurals, gregory del piero, kenny bobien, monday michiru, monodeluxe, diviniti and many more.

reflections is the spectral sound debut of nautiluss, the primary project from torontos graham bertie. his career began, as many do, with practicing mixing records in his bedroom before cutting his teeth in warehouse raves in montreal. after many collaborations and heavy touring early in his career, bertie has chosen to stay in more than go out, leading to a new direction in his music. dont let this lead you to believe hes a slouch in the live department.

nice price deal !!! next hot dj food on finger tracks! this time by rising artists schaeufler & zovsky. funky, groovy and strinking are the main facts for this two tracks, and vinyl only, of course!! kiek ma wedder in reminds me on early soundhack productions

from his days organising free parties in and around northwest france during the early 2000s, oniris has risen the classical way: years of djing have given him an innate understanding of dancefloor dynamics and a firm crew and label to create with: astropolis. since breaking through in 2011, his tracks have rapidly picked up support from all the right corners: agoria, laurent garnier, john digweed, marc romboy and josh wink have all lent their support. having already released some of his finest work on bedrock and systematic, its now ovum’s turn to play host to oniris’ latestwork, the nightwalk ep. eschewing his penchant for the peak time, oniris steers away from the euphoric’s of previous outings and, whilst retaining his melodic moves, creates a selection of deep, warm and groovy cuts with a spiky electric edge. head-nodders, shoulder-droppers & hip-swingers rejoice, these slinky dancefloor numbers are for you. support coming from: pete tong, hernan cattaneo, guy j, lane 8, matthias mayer, christian smith, till von sein, luca bacchetti, marc romboy and more!

for their tenth release appian sounds move back to a full artist ep and invite us to delve into the world of o.utlier. the london based producer delivers four moving productions that will take you on a cerebral journey through delays and phased pads, reminiscent of early basic channel/maurizio recordings. after appearances on efdemins naif and fred p’s soul people music, o.utlier signs, with this accomplished 12”, a remarkable full debut.
as always, limited to 300 hand-numbered copies worldwide. no repress. no digital.

madrids go! finger takes the vinyl path again launching some selected tracks from one of their most notable cassette releases to date: route 8 and s.olbrichts ste pwri tmod selected works, budapest s farbwechsel duos early efforts together on go! finger. well known by their most recent releases on lobster theremin, nous, opal tapes, delsin, gang of ducks and this is our time, selected works is finally pressed to please all the hard sick heads eager to play and mix a copy on wax loud! enjoy this preview of a piece that includes s.p.t. ballacid s original live recorded tracks dont miss us florida & king county metro transit plus their respective route 8 & s olbricht remixes. amazing raw analog deep jam cuts. stunningly strong stuff. floorkiller!

french artist kool vibe is back on his own paris-based label kv records with a new 4 track ep. true to the mission assigned to the label, this release brings us back to the early 90s through basics sounds and elements which have defined deep house since then : fat syncopated rhythms, heavy and groovy basslines, warm chopped vocals. there is something raw and genuine about this record. basics and back to the reala definitely emphasize the minimal and raw side of deep house. tribute is humbly dedicated to the legendary todd terry, whose ultimate knowledge of the art of sampling contributed to shape house music in the early days. at last, sleazy joint (touch it, suck it) closes the record with a nasty and sexy touch. anyway, the whole ep is meant for the dancefloor and the simple pleasure of partying.

glasgow based imprint flatpack traxx returns with a no nonsense 4 track ep made for the dance floor. collaboration from 2 of the uk s brightest new talents dissonance and intact. both of whom play an integral role within london based collective surface music. dissonance an anglo/italian producer was exposed to strong musical influences having relocated to the uk at an early age. his recent productions are a voyage of exploration, recording for the likes of spains oblack label and 2651 records alongside los pastores and the willers brothers respectively.

fierce banging tracks on the a-side of this multivalence volume 1, and two winning acidic techno tunes with a bit of an early detroit, belgium rave vibe on the flip side. strong release on kevin mchugh (ambivalent/la-4a) new series of various artist ep s on his valence imprint.played by dvs1, josh wink, dj deep, ben klock, norman nodge, rolando, scuba aos

tony scott has been producing electronic music since the early nineties under various pseudonyms, but with edit select he has found his forte, and when it comes to deep, thought-provoking yet floor ready techno, there are not many artists that can do it like edit select. at home on some headphones with your eyes closed as it is on dance floor moving bodies 11.12.16 on android muziq is a must have for fans of techno on the dance floor and beyond.

rnt reinvents their ever-expanding catalog once again with this collection of remixes of mr. v s seminal early-aughts hip-house track somethin wit jazz. leading the charge is freerange/delusions of grandeur boss jimpster, with a duo of driving, percussion-laden deep house versions. session victim bring the signature quirky soul to their mix, while rnt regular planty herbs goes straight roller-disco!

an imprint of käse kool. “same shit, new name” kk’s latest comes from berlin-based producer nick beringer. transit ep produces a steady flow of funky, groovy tech house that will get anyone moving until the early morning, while lopaski’s finishing remix of “brija” caps off the ep with a a fresh interpretation of nick s soon-to-be classic.

the return of the silverlining by way of the silverlining dubs trademark that was credited to many a remix during the late 90s and early 00s.

played by ali renault
the third instalment of braiden s off out label arrives via chunyin, a new dancefloor orientated project by hong kong born, sydney based artist, singer and producer rainbow chan. early support from benji b, eclair fifi, bill kouligas, joy orbison amongst others. the lead track of this release, -fei-, was the genesis of this project, created as she started to explore the world of murky dancefloor music. the track delivers a raw, punky attitude with a nod to minimal wave, littered with warped organic sounds and samples of hong kong new wave cinema. following this is -emporium-, a relentless jacking dancefloor number, syncopated groove laden drums married with airy atmospherics. -shi- closes this ep with a unique and brooding techno inspired track that rolls yet feels as though it s perpetually falling apart at the seams. vinyl comes with screenprinted and chinese seal hand-stamped artwork designed by braiden, illustrated by chuny

if you love contemporary minimal music, then you are certainly familiar with the greek artist stathis leontiadis. with his bands human puppets, exetix and plexiglas this musician became one of the stars of the genre. now he is back with doric. with this solo project he already released a single and an album on fabrika and a 10- on domestica. the new release is once again a 10-, this time on peripheral minimal. doric uses a special concept. the a-side is the so-called asleep side and is about loneliness: music that sounds paranoid. sleep of reason is almost unbearable, it s madness driven by minimal electronics. everything is very danceable, but this is the dance of madness. the minimal sound comes straight from the 80s. over my dreamssounds a bit like the early parade ground. simply great! head against the wall (a title that needs little explanation) is slow and compelling.

nu-disco hero 80s child has come a long way since masterworks vol 1, the inaugural release on his masterworks label a year and a half ago. now we have the follow-up and the second part revealing how the label s sound has grown featuring tracks by 80s child, osmose, doc jam & the silver rider. early support from : joutro mundo, osmose, vinyladdicted, 80 s child

spirits is an ode to classic house music as smooth as silk, the beautiful vocal echoes its way through this deep cut and into your collection. alexander o neal edit of the classic fake is a perfect example of a soul classic getting a fresh makeover which works and will blow up any and every dancefloor. distorted vision inspired from dark comers of underground warehouse parties, hard hitting drums and a soaring synth and bassllne that builds and hits like a classic 4/4 techno/early 90 s track.

we welcome back our very own poster boys jakobin & domino with their 3rd ep for luv shack. entitled roshambo, j&d deliver a bumpy four tracker for your occasional night raves and summer daze. our boys are kicking things off shiny with its title track roshambo in an almost motown-esque house affair way with soulful vocals and a funkadelic drum line. can t help it is heating things up next with a tight syncopated groove, chopped up chord stabs and a lush vocal line on top. as if this wouldn t be enough, mooguai boasts in with a slick synth bassline and an hypnotic arp, underlaid with ethereal pulse strings and an upfront jazz-house beat. ep closer polar 7 harks back to the early days of house music, with witty 707 beats, a classic juno bassline and a blissful organ theme to boot. versatility that you shouldn t miss out!dj support: tensnake, massimiliano pagliara, hard ton, chris massey, andre crom, hard ton, alkalino, fingerman, alex barck (jazzanova), jacques renault

mysterious brooklyn label and production crew getting in the game with some techno and ebm bangers. all are re-workings of recognizable or obscure classics. “looping blood” the clubbiest of the ep builds around a controlled bleeding loop and blossoms into a spiraling unstoppable groove accented by crashing reverbs and jackin drums. “alaaarmed” is a pounding re-edit of tommi stumpff, early german minimal punk not unlike nitzer ebb. “take two” is a great remix of front 242’s epic industrial classic “take one” dubbing out the lyrics for an instrumental approach. “open bar” puts the scissors to skinny puppy’s early 80s classic “last call” looks like the aptly named effective weapns label certainly providing some hot jams for this fall. fans of dark entires, minimal wave take notice

debut release for ra journalist dan petry using the moniker ged. the dry river ep is an accomplished first outing that fans of drexciya, dave clarke and objekt should investigate. ged s sound is rooted in detroit electro, early rave, 90s warp sensibilities and the gorgeous electronica palettes of manchester s skam label, most notable on early boards of canada and bola s work. that is to say kicking drums, dark brooding undercurrents and delicious soundscapes. definitely worth checking.

after his outstanding releases on labels like 100% pure, intacto, kombination research and flash records, niereich is finally back on driving forces recordings to deliver another 2 timeless high class weapons. next to the 2 original tracks, niereich s phoenix ep is also featuring another massive remix by dutch techno master 2000 and one. early support by the usual suspects!

kanja records is sincerely honored to present its first vinyl release, based on a concept called sunday mornings. with this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. music that offers a vast variety, but in the end coming together in that sweet and warm morning glory.

(180 gr, tolouse low trax rmx )wolf müller & cass. arrived with their mini-album the sound of glades on international feel in early summer. we asked both jan & cass. to remix one of the tracks and also choose a remixer for a third rework..

early september will see the release of paulo olartes el escandalo de tus ojos lp via barcelonas galaktika records. columbian producer paulo olarte has been a long time friend and affiliate of the galaktika imprint having been releasing with the label since its early years a decade ago amongst further output for the likes of liebe detail and diynamic. here we see him back on galaktika with his new long player, set for release in september via a special vinyl edition with a digital release to follow.

ben sun returns to delusions for his 4th release on the label including three more tracks which show the australian via london on his best form yet. full moon kicks off the tides ep at full throttle with a muscular conga-led disco house roller. slurping 909 hats and the most twisted of synth solos courtesy of regular collaborator fantastic man (and his beloved juno 60) provide the icing on this simple bass-cake which never fails to energize the dancefloor in the most special of ways. star ritual drops next, going heavy on the percussion once again for a minimal stripped back drum tool which packs a mighty punch. dubbed out vocal hits punctuate the beautifully loose groove with subtle hints of afrobeat implied by the bassline making for a warm summer track dripping with tropical vibes. finally we have glass waves bringing the ep to a glorious close, all chiming synths, bouncing moog bass and waves of chords layering on top of a heavy drum track. ben repping an early 90’s blissed out nu groove mood on this one and managing to sound as fresh as ever in the process

supported & played by steve o’ sullivan, xdb, julietta, lamache, st. joseph…
reduced and methodical housey techno from this new anonymous project out of portugal. in the same lineage as early cabinet records or tobias freund under his tobias. moniker, the duo apply the detail-oriented approach of a sound designer to classic dancefloor forms, each cut matching techno sensibilities with a levity that can only come from a love for the giants of 90s us house. flat, impassive kicks get lifted by skippy hats and claps, dubby synth backdrops are punctured by dramatic stabs (note the chez n trent flashes on the b-side), and under it all roams an ever-restless (sub-)bass that reaches right into your guts. the name may be routine, the effect is anything but.

4 techno tracks live recorded straight from the stereo bus of the mixer, full analog, fully effective and raw as fuck. much in the early 90’s jeff mills and downwards school plus a touch of psychedelia. korg ms20 for basses, some analog strings, arp odissey for evolving lead ton of overdrive, driving distorted beats and a touch of reverb, no special effects nothing superfluous, no kisses straight in!
format: 12- vinyl only limited 300 copies.
white label record with label stamp on one side. the record is packaged in both a generic inner sleeve and a generic outer sleeve. the generic outer sleeve has a different stamp on each side. one of these stamps also includes information about the record including artist, title, tracklist, mastering, distribution, label, year and catalog number.

midnite spares, australian music devotees andrás and instant peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. through co-presenting weekly radio show strange holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. the 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3rrr and more often than not, the artists themselves. renowned mixed media artist maria kozic enters with the mysterious downbeat of trust me, her partner philip brophy responsible for digital and analogue sonic construction. a recurring character in andrás and instant peterson’s investigations, brophy reappears with a score piece from his divisive feature film salt, saliva, sperm and sweat, recorded as ??? (pronounced “tch tch tch-). other links are thread under the surface. melbourne inner north experimentalist david chesworth explores his australiana songcraft leading whadya want?. the short lived project also featured philip jackson, whose duo the couch is restored from fast forward’s dance issue - a pioneering cassette fanzine published by early-80s 3rrr