lets go 180/190 hardtek peur bleue style.. 4 superb progressives, non acid, industrial (very) hard techno, bring the noise and bring the cool dj friendly tool for a confortable mix and a true peur bleue experience! thanks to ireland and its blue clover!

attributed with putting out the first release for madrid-based vinyl only label depaart limited is welshman bradley alberties aka blured. inspired by the roughness and rawness of industrial detroit techno, blured brings his deep, creative flair with a 4 track ep of uniquely differing house and techno styles.

the explosive initiation of one electronicas -1210- series comes from ann harbours d marc cantu. the series will consist of one twelve inch and one ten inch vinyl. no mp3 s as per with one electronica and its main aims are to give the artist freedom to do what ever he or she wishes! the extensive palate of sounds available on this pack range from slower ambience influenced grooves, outright -jak-, industrial grit pursuing to intense, pace-ridden, electronic mayhem, as heard in microdots

the legendary tony rohr graces phobiq with his presence and offers two tracks alongside his new partner-in-crime layton giordani. the ep starts out with the sparse arrangement of -careless suggestions-, driven by a locomotive bassline and grinding rhythm section. moody stabs reinforce the bleak vibe, and the vocals coming at us from otherworldly black holes only add to the mood. label boss sasha carassi steps up for the remix in his trademarked stomping style, making use of hypnotic elements and the busy claps from the original. industrial-sounding hi-hat action drives his interpretation all the way home, after an apocalyptic breakdown, of course. on -reggae shiz- things are more stripped-down with bare drums holding everything together, as the rest of the arsenal slowly builds around menacing chords and a rocksteady groove. behind the spotlight, liquid bass comes together with quirky percussion to complete this almost-10-minute-long opus. dema maintains a sublime, shadowy mood in his version but opts for busier hats and heavier usage of chords.

rhythmically satisfying industrial techno crunch funk. d marc cantus 12inch on ansatz features 4 new tracks in 4 styles, pushing the envelope 4 ways. tracks: a1. surface dweller a2.grey b1.box sound scape b2.heater followup to ansatzs 12inch from jtc people mover

producer mark e hails from the west midlands, an area of the uk that was at the heart of the industrial revolution and was also hit hardest by the decline of uk industry in the 1970s, and again by the economic crisis of our own time. its an area with a distinct sound and atmosphere, one that manifests in the music of artists as diverse as black sabbath and the specials, and one that plays into many of the ideas behind mark es new record product of industry.

morphine continue to expose more destructive electronics from the u.s. underground... 4 bare bones tracks that owe as much to grimy techno as they do to the late 80s industrial pioneers ... right on point... tip!

mancunians and have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on ann aimee. coming after plenty of great work on their own eponymous imprint.

raw waxes meets unperson for its second release: 2 vinyls, 4 techno tracks per vinyl, including remixes by perc, samuli kemppi, stanislav tolkachev and tomohiko sagae.
the second release supports unperson, who dont want to share with you any infos about bio or thought, just want to let you feel in his trip. stream of consciousness ep is his manifesto of driving industrial techno and for any kind of underground dancefloor. indeed raws stuff collected for this ep 4 artists who never look to what can sell or what is considered cool. they did amazing remixes understanding at the best what raw is looking for: no pussy techno, no easy techno.

ether003 is a four track release by helsinki based dj/producer kitkatone. the release includes two original tracks with two remixes by techno masters woo york and attemporal. starting off the release, a1, oppressor, is a slightly old school tune - raw and beautiful blend between house and techno. the following woo york remix turns the track to a ruthless techno beast with a hint of industrial vibe. b1, remainder, presents a darker atmosphere with crude and fierce banging and mid-winter gloominess. the closing track attemporal remix brings in a deep and spacey brooding, bonding the release into an extremely sterling techno pack.

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

40 minutes of jamaican dub disco after growing up on a healthy diet of industrial- and synth music.

abdulla rashims northern electronics with its latest release. explorations in modest sonics and a distinctive take on rhythmic industrial music. limited supplies!

francesco- delivery the 4 ep! the first orbital variation is a dark and hypnotic track, desert city is melancholic and it describes the landscape of a ghost town, motor is obsessive it leaves no respite as an -assembly line- in the full period of industrialization and the last city describes an industrial landscape, with the sun in the face of the people.

the third album of depeche mode construction time again (1983) was the first one to include talented band member and arranger alan wilder to the mix. the album was recorded in john foxx s the garden studio in london and mixed in the famous hansa tonstudio in berlin, the latter being famous for its delivery of classic albums by artists like david bowie, iggy pop, nick cave and u2. experimenting with brand new instruments like the synclavier that allowed sampling to be manipulated musically, construction time again was a groundbreaking record that included industrial influences. these influences would come to full fruition on subsequent albums some great reward movlp940 and black celebration movlp947. songs like *pipeline*, *love in itself*, *shame* and *everything counts* turned out to become classic depeche material.
exclusively remastered, pressed on audiophile 180 gram vinyl and housed in gatefold sleeve.

(lakker / stanislav tolkachev rmx). industrial rooted techno! limited to 300 copies worldwide, each individually hand-stamped dymo titling and numbered. 180gr heavy-weight vinyl!early support from surgeon

for its inaugural release, spring theory has tapped san francisco producer avalon emerson for a three-track ep. its called church of somawhich, before you get any funny ideas about huxlean wonder drugs, is actually a reference to san franciscos industrial south of market district, which has been an epicenter for dance music since time immemorial. the record pays homage to her long nights spent dancing and djing in one particularly loved soma warehouse.

all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. each lp includes a 12-page booklet with excerpts from darrin huss diary, unpublished photos of psyche with dwayne, and an essay by darrin reflecting on psyche s past and the goettel legacy as well as lyrics. this collection is a glimpse at the early canadian industrial scene and the roots of skinny puppy. go take a walk in the past with an ear for the future you just might learn something.

nice price deal !!! alexey volkov who returns to the label with his interwave ep, comprising 4 killer tracks. known for his releases on planete rouge, this producer started his career in northwestern russia ( saint petersburg) in 1997 as a local underground techno dj, enthusiastic record collector and music experimenter. volkov takes much of his inspiration from early synthesizer music and the industrial music scene, as well as artist such as daniel miller, chrislo haas. he also taken inspiration from 80s ebm and new / synth/ dark wave scene from belgium, france and germany. as well as planete rouge, he has also recently released music on semantica. his interwave ep is dark, raw and full of character.

krautrock and ebm inspired post-industrial techno. next-level electronic music made by one of the hagues most original producers. must have for fans of unit moebius anonymous and shitcluster.

powerfull industrial techno cuts from the singaporian techno don!

linda and thomas, two lovely people and also two tracks that fuse together the stripped-down industrial sound with the playful jacking youve heard from the men from mostar and malmo before. for the remix, the wizard of osch took thomas 33 to his underground science lab and applied advanced future algorithms to twist the sounds into new shapes

the second release of crs ltd. is signed by vsk and enhanced by an edit of vilix. the two original tracks take place in the same room and they develop in two different way the same industrial machines elegant chant, some of those from afar, some of those closer.

bolder is martin maischein who used to record as henrich at hart on position chrome and peter votava also known as pure who has recorded previously for mego and was half of ilsa gold. with their combined background in electronic music of all angles bolder introduces a significant proposition to the current experimental electronic boom. blurring the lines between industrial, techno, dub, ambient and narrative forms, the work on bolders debut presents a dance amongst the abyss, a world where organic rhythms provide the path amongst a swarm of foreboding electronics. herein lurks an atmosphere where hostile electronics weigh the hope and paranoia of todays climate. one humans listen is another humans challenge.

after 4 ep ep on pong music here is the new white vinyl 10 in the series by p.c.m. (pulse code modulation). two deep techno with industrial dub touch between detroit and chain reaction sounds. highly supported by kirk degiorgio, life recorder, jack de marseille, gez varley aka g-man, dave miller, dj oil, deep in dub, emanuele pertoldi, ricardo gabe, mike huckaby ...

gangsta techno resistance granada! horacio cruz vs david moleon - tech on records 014 tribute to the clubs

a new line (related) is the latest venture from lancashire-based andrew johnson (hood/remote viewer/moteer). utilising tools from the early days of home produced underground dance music (such as sk5 sampler keyboards and vintage drum machines) andrew has unearthed a beautiful album of downbeat, lamp-lit techno, industrial grade ambience and sonic experimentation which at times recalls early warp records, gescom and raw, 313 area beatdown house, as well as the more modern breed of electronic and techno travellers such as actress, mark fell (late period) and even theo parrish (the slow sound of your life).
the double vinyl lp includes a downloadcode for the full album.

karlovak chrome s second release. on the a side you ll find a 12 minute journey from disco to industrial techno. on the flip is a mesmerizing...

xdb returns on dolly with the ganivon ep, the follow-up of his excellent recago ep from 2011. xdb is once again delivering the goods, with 3 top-notch contemporary techno tracks filled with his trademark hypnotic melodies, lush strings and solid groovin beats. favourite is tonik with its classic detroit-feel and special atmosphere. berlin/berghain based answer code request is doing the remix job for ganivon, resulting in an effective techno bomb which perfectly combines industrial techno elements with the dolly feel. recago might have been hard to surpass, but xdb might just have done it. big!

great debut by uk based james marrs on the consistenly unpredictable syncom data records. four raw, sample induced industrial house tracks. perfect dancefloor material. for a basement strobo party in a david lynch movie, that is. mental stuff.

the second album by valanx called >ejecta< (18-diam.) gets the remix treatment. four artists, each with their own unqiue sound, have reworked their favourite track of the album and gave the music their own twist and sound. the exaltics turns >beyond doubt< into a dark brooding metallic industrial beast with a strong and dominant sub bass line that will damage your speakers.crc, one half of the finnish electro masters morphology creates a trippy psychedelic techno epic on his take of the track >chasm< and showcases a masterpiece of drum programming and creation of atmosphere. on the flip, >trail of conjuration< gets the remix treatment by admx-71 aka adam x. his version takes the tribal aspects of the original and turns it into a dark industrial techno drenched track that immediately lets you think of an old abandoned warehouse drowned in strobe light and fog and a massive rave taking place.last but not at all least it is louis haimans turn and he creates a wonderful deep dub techno track out of >legion v2<. the sub bass and deep chords are whirling and will hypnotize the listener with endless echoes and reverbs. 300 handnumbered limited vinyl copies only. no digital distribution

kondaktor, the athenian producer who made his debut last year at further records, releases music for the sixth modal analysis record. signal ep includes two original tracks signal #1 and signal #2 which were created through the manipulation of field recordings, that are structured as a collage of sounds delivering a deep and claustrophobic sensation. on the other side of the record, sawf and anfs construct two versions of the tracks taking a more industrial and rhythmic approach to the existing works

with david mayers share of keinemusiks current workparty edition still providing solid fuel for heated clubfloors, he already shovelstwo fresh loads into the furnace. km021 has just surfaced in a moment when electrified techno-music seems to drown in an ocean of preset-dullness. well, mayer has come to provide a rescue tool with his sunhole on side a. youll recognize this somewhat trademark-becoming percussive fetish of mayer as this tracks modus operandi. yet, it has rarely been as detailed and surgically implemented as in this banger. whats that – a second hand ticking? and over there – is it a woodpecker in the field? sunhole supplies all the answers in a thumping, yet no friskiness avoiding manner. youll get a stoically rolling beat, asphalting the floor, to build a cannonproof foundation for thisarrangements main attraction – a filtered and delay-heavy synth-affair.flip around and find a competitive jamboree of subtle background-brainwaves other would straightaway use as lead-ideas for their tracks. well, this matchingly titled lead comes in with a hard hitting kick and gets into the groove via filter-rides to peak into clanking noisy industrial-thunder that immediately will electrify every steel-toe in hearing range. generally - only roughness in this cut, crispy bounce and ghostly whispers all over. most definitely for the win, this double broadside.

ike yard came into being as no wave passed on, industrial was in the air and proto-techno had yet to be coined. propulsive, paranoid, aggressive electro minimalism, with as much attention paid to the mixing board and effects processors as to vocals, guitar and synth. at once starker and more fully-formed than virtually all other contemporaneous post-punk music. desires 2012 edition represents the first ever vinyl reissue of this classic, prophetic album. the line-up for the third remix ep includes a great deal of diverse music.
this is a 12 inch vinyl release, limited to 500 copies. grey vinyl, black inner-sleeve. artwork by stephen americh, inspired by the factory america design for ike yard…

proper, dark techno ep with roots in 80s industrial, ebm, new beat ...

down to roots of downwards - excellent industrial leaning electronic ep

after exploring over 6 hours worth of unreleased original material from the relentlessly prolific and ever expanding production catalog of will azada, cgi is extremely proud to present these 3 stand-out cuts that represent a depth of production skill and aesthetic range unparalleled in today’s over-saturated dance music landscape. confronting the clichés head-on, azada breathes new life into tried-and-true templates of jacking, industrial funk and synth-y groovers with his remarkable ear for arrangement and sense of movement, masterfully exploiting the infinitely renewable resource of subtle variations that he continuously unfolds throughout the tracks’ durations. the material runs the gamut from the stark, throbbing, industrial workout “the whip” to the melody-driven, synth-fueled ecstasy of “michalski’s theme” and the chord-driven, vocal-chopped house of “cliché.” the fact that an ep this unique and diverse can also feel so unified is a testament to the vision on display here.

dirty techno trinkets! rage on with tough beats, pounding percussions and rough industrial vibes. edec music outlet

expect spacial techno from berlin-based stojche on the 3rd release of mysterious label grounded in humanity. after achieving the long awaited breakthrough in human cloning, mankind decided to revolutionize industrial production and the global economy with the mass-production of human clones - the assembly line. sophisticated technoid work-out on this creamy and excellent release…..limited, vinyl-only, no re-press. 225 copies worldwide!

reissue of the timeless cybotron classics *enter* (1983) and *clear* (1990) on double 12 inch vinyl in gatefold sleeve.

second skirt 12inch on semantica. featuring remixes by inigo kennedy and ancient methods. mystical industrial techno!

recorded whilst battling insomnia during a cold and bleak berlin winter, jack dixons new ep finds him channeling the light and the dark of his home city. inspired by the bygone euphoria of early analogue techno and the harsh industrial landscape outside his window, the three tracks of those questions swirl vinyl crackle, ghostly rave vocals and human heartbeats around pounding jackhammer bass, intense drops and intricate house rhythms. the result is a perfect encapsulation of the curses and blessings of a sleepless hibernation. it is an atmosphere also present in the hazy drones and pulsating sub-bass of skudges exhilarating, analogue remix of heirloom, the revered swedish duo tuning down the filters and reinterpreting the track as a ghostly and paranoid low-end basement banger.

davide carbone is an acid dark industrial techno artist whose latest vinyl ep— put out by freitag s new acid techno focus sublabel on vinyls, freitag dots— is a decadent dish served up with acid dub elements, deep drones, industrial influences and found sounds

best known for his collaborations with kanye west on two standout tracks from the groundbreaking yeezus album (send it up and black skinhead) as well as high profile remixes for lana del rey and depeche mode, paris-based dj/producer gesaffelsteins solo work reconnects hard techno to its pounding industrial roots

le grand mechant beat. party organisers since quiet a time in paris france. every major artists of the frenchcore, industrial hardcore, and international old school gabba scene played there.recently they introduced loads of crossbreed artists too.here they come with a first vinyl. time 2 discover 2 artist from the crew surroundings!first shot on vinyl!

lost in confusion is a 161 bpm mental techno long bloody tune. based on a sample from this mortal coil filgrees and shadows ithink) superb mental dark techno ambiance. b side starts with a sounds like a side tune, even more industrial and creeping. a cinematic tune. second tune of b-side gives a mentalcore kicker track 180 bpm, very industrial as well, full of breaks and solid tribal beat.

dj stingray drops one of his most intense electro bangers to date, >assassin< no holds barred minimal, industrial-tinted and ghetto-ready electro for the dance floor! on the flip vin sols san fran >homo-house< anthem >edges of a vortex< gets a vinyl pressing after setting the underground on fire, having since been picked up by defected records and reworks of sade and soowavey 12s selling out in minutes.. dont sleep on dis shit!

concerns ltd is a label run by kalter ende from spain, where there is room for everything related to techno, industrial, dark and experimental music and musicians that really express quality arround the world. on first reference features two original tracks by kalter ende and two remixes

massively anticipated debut album from ron morelli, founder/boss of acclaimed brooklyn label l.i.e.s. (resident advisor #1 label of the year 2012, amongst many other accolades), *spit* is the first in a trio of related releases from morelli due on hospital productions in the coming months. the album features 8 electronic variants, from house and industrial tape experiments to saturated metallic beat tracks. mastered and cut by matt colton at alchemy. there is so much that could be said about ron morelli, his l.i.e.s. label, or the fact that his debut album comes to you via hospital productions, but instead, here are some words from the man himself: i m a regular guy, enjoy a good steak, drinking beer, and occasionally a game of pro basketball, republican talk radio ... you know ... all the good stuff.