supplement facts records takes us to that detroit sound, with their next release featuring sierra sam & marcus vector… the auteurs of industrial techno. the man made jobs e.p. is an eager little package of tracks with a nod to the past, but with its sight set straight to the future. the opener >gangsta pimp style< echoes technos birth-city, driving beats and metallic stabs of synths merging with the spoken word rhetoric, intermittently making itself known throughout the pieces sprawling 7-minute runtime. >things you do< moves things to a bit lighter frame, but dont let that description lull you into thinking it as throwaway. this tracks dominates with the ever-present high stringnote that made so many hits in the past. this classic sensibility and a vocal hook which you will be humming for days later…make this track memorable. taking us straight to the 90s, >flagboy< is the final track to round up this powerhouse of a release. featuring vocals from rockey wahington, this track encompasses the likeability & flavor needed for a classic house record unlikely to leave your bag. its all there - the piano stabs, the cowbells, the soulful vocal. all these elements mixing together to create a track so euphoric that you can finally delete your >pusher-man< contact from your blackberry because this is the newest legal high!

ales boek alias alex long returns to afulab with a very nice tech-house ep for the summer and all the outdoor adventures and excitement! four absolute floor and beach fillers that wont let anybody do anything than booty shakin and enjoy that well done long drink from the bar.

first on decks.de!!! >blast corps< opens the ep with a surge of delayed baseline. crispy static rises from below and echoes swoop and simmer beneath the full blooded base. it builds insistently, the 4/4 structure is infused with far off blips and the dusty sizzles of lowpitched white noise. on dark star warm dub keeps the sound organic. it’s elemental, the baseline seems enormous enough to have a gravity of its very own and the other elements pull together around its weight. it teases, the breathy elements twitch, fidget, become fully formed but refuse to drop. frank martiniq refuses the obvious, and opts for the discerning. this is the stuff of intrigue, as is the percussive opening to b2 >lovelane<. here a rattling, clattering sequence breaks out into a euphoric, syncopated structure. its dark, playful and danceable techno.

desolat 011 is franck roger at his best: raw-edged and stripped-down house tracks for your pleasure.

an african flavour to the new mixed blood cuts release: side a: mulatu astatke >a man of experience and wisdom< zopelar edit.

nice price deal !!! idiot is already something of a hit with those whove heard it being played out, combining hard soca drums with lush ecstatic melodic synth harmonies and a driving bass with a strange 8-bit melody that stumbles and trips around the rhythm. its completely alien at first, but potent enough to stick in your ears until you might catch yourself humming the refrain when you least expect it. a unique and fantastic combination of compelling contemporary sounds! altered natives, aka north london producer danny native, whose track >rass out< was one of 2009s best, takes over the b-side with a remix that seems to reflect 20 years of british house music back on itself. just using the bleeps from the original tune, he echoes and morphs his own melody over stepping dubby kicks and snares and a dark, driving bassline

there are few artists these days who consistently succeed to focus their passions, talents and instincts into deliciously individual, melancholic, beautiful and timeless recordings. irish born donnacha costello is amongst the highest ranks of such artists. poker flat is proud to announce donnacha costellos new full length album, >before we say goodbye<. echoes of chicago house, detroit techno, and uk ambient techno flow through its futuristic core, as we find donnacha exploring further his love for deep, hypnotising grooves, rich synth themes and emotive harmonies. this vinyl version features four cuts taken from the long-player.

back in stock !!! crash test is a long player, a four to the floor album that can be listened to from start to finish. an organic sequence of shifting moods to sublimate existing minimal house or techno paradigms. the lp is shaded with bass weight: a reflective, meandering interpretation of the grooves that have always inspired buttrich: echoes of hip hop, jazz, reggae and soul. emotive tangents hover, punctuated with found sounds & textures recorded in public spaces. / deluxe gatefold coverartwork incl free download code (free access for the hole album and bonus tracks...)

mock & toof proudly present the fantastic >farewell to wendo<, the first single from their debut album >tuning echoes< which is scheduled for release in may 2010. for those unaware, mock & toof are two of the uks finest. having built up an enviable reputation via 12 inch releases on james murphys dfa recordings and their own tiny sticks imprint, they specialize in brilliantly off-kilter, disco-fuelled grooves that are laced with originality. enough originality in fact to have caught the attention of hot chip, zero 7, holy ghost! and groove armada who all recently called for their remix services, and thats just the tip of their production iceberg.

side a: features “depth of my soul” soulful and deep house blend in this down tempo jam. but slower bpms only add style and atmosphere to the track. side b: where is the compassion - the soulful component is still pretty strong yet. it designs a journey through feelings, typical of a warehouse rave. again echoes of a recent past, still very poignant. vibes reveals a more jazzy/boogie ambient. to many ears those vibes shared are not mysterious at all in the origin. still this is a very cool, current adaptation to the dancefloor. massive release!!

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

ryo murakami whos recent releases include dessous and moriss audio and is known for leading the younger generation artists announces his newest release on his very own label panrecords. the promo is already being heavily played on the jus-ed radio show. the tunes of the analog drum machine coming from the bottom of the deep seas along with our friend amrs quiet yet crazy voice sampling echoes on a1s lost it and a deep arrangement is added to the coupling track dive a elevate. the fat analog synthesizer by dublins lerosal that resembles chicago and detroit sounds are remixed with the rhythm machines low range sounds. the sense of flow from beginning to end is at 90.5. the complete 4 songs are sent from tokyo out to the world scene

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

the debut album from duesseldorfs musiccargo links germanys experimental musical legacy from the last several decades to todays vibrant, eclectic dancefloors: in widescreen, technicolour vision. this is an album that makes joyful use of germanys musical heritage. italian afro/cosmic pioneer beppe loda has called musiccargo >die neue neu!<(the new neu!). whether you call it krautrock, kosmiche muzik, or techno, you will literally hear echoes of all those legendary side-projects and jam sessions of the 70s and 80s. limited 200 copies.

yet another live/production outfit has sprouted from the fertile techno soil of amsterdam. its name - gimikk - echoes the unpretentious attitudes and sounds of our flourishing underground scene. it was the open and co-operative spirit of our new school techno generation that brought daniel sanchez and eelco augustijn aka. e-contact together. after two well-received eps and a lot of hard work their debute album is a fact. we present to you untitled concept, a killer collection of tracks set to shake up dancefloors around the globe.

supported by brothers vibe, jamie jones (crosstown rebels), karotte (cocoon / great stuff)... wagon repairs first release past the 50 benchmark offers a look at long time partner hrdvsions latest works of chopped melody and effervescent invention. opener æthe mohana explores a central chord progression with intermittent squeaked melodic static, reverberant pad echoes and crisp swinging percussion. a pragmatic animal, dueling hook lines dance, transform and compete for attention between pounded kick and hat in one of hrdvsions most floor ready tracks to date.

lotd remains steadfast in its endeavours to offer the best in left field electronic dance music with these 2 tracks from tony lionni. golden is an eight and a half minute journey beginning with stripped down detroit ish synths and ending in more lush, piano & percussion driven territory, with vocal samples being laid overtop the entire ride. epic stuff. the warrior is a deep, late night affair with shades of chicago jack & echoes of basic channel dubness. both of these tracks display tonys depth of musical knowledge while having there sights set firmly in the now & beyond.

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

tokyo based synth outfit trans of life shows some true talent on this double sided single. their productions combine some amazing sounds as wholesome 4/4 house, deep electronic overtones, chill jazz, and latin melodies. foi voce (tol vocal) has lovely portuguese verses & melodies sung by yukiko koga. this is a full on vocal mix chill enough for the lounge and fancy enough for a 5 star dining hall. their dubs go a bit deeper and darker and are a lot more dance floor effective. the vocals turn to echoes and quasi chanting and a myriad of sounds flow in and out of this tune. the masterful original delight earth, a body & soul party favorite, show just how talented these guys are. full of trumpet solos and latin conga rhythms with plucked stringed guitars make for a sensational ride. back to the club on their dub... great package!!

milwaukee based label lotus lands 5th release takes us back to early 80s louisiana. rare and unreleased material from the crystal band here, soulful and sophisticated. dusted synth work and jazzy horns intertwine in music to create a club track with surefire appeal to disco, funk, and modern soul heads worldwide. giving my love up to you echoes with the spirit of classic leroy hutson. a beautiful mid tempo soul song perfect for fans of tearra just loving you and arnold blairs trying to get next to you!

we can proudly announce with this release we will start with a special series of forthcoming releases named >tomic & friends<. this and all following releases in this series will contain always one original track from our main artist tomic and one of a friend of him. the releases will be published only on vinyl and in a limited edition.

he superb disco deviance crew continue to impress with their amazing re-edit series !! editors for this release are well known electrofunkateers from up north, bc, who definitely know their disco boogie. having been re-edited themselves on the redux imprint by legendary electrofunk don greg wilson on a track called >hardcore boogie<, they then went on to release the highly praised >konked out< and >missy done a pil< edits on the same imprint. on this, their first release for disco deviance, they continue their habit of not only re-editing, but also mashing and over-dubbing their cuts with their own played sounds to make an amazing blend of discoid bliss thats perfect for both djs and dancefloors. the opening cut >magnificent disco< is a wonderful mix of elements (both sampled and played) taken from their beloved konk, the clash and kool and the gang which are worked into a sublime disco work out. while on the flip its aretha franklins >jump to it< which gets reworked and extended into a hip disco joint that has echoes of atlantic conveyors crossover classic >we are<. enjoy the music

for our lucky seventh 12inch in the rvng of the nrds series, the galactic captain of the edit, greg wilson, makes bodies move with two grooves from the heart and soul. cosmic dj delight cycle spins an italo classic through giddy guitar orbit while adding groovy echoes from the bright corners of the big 90s dancefloor. soul sacrifice plunges the percussive depths of san frans finest jam moments of 1969 and comes up modulating for more. seriously enlightened cuts from the creator and originator.

remixes by proxy, fred falke, siriusmo...

big alexander kowalski classic.. be quick

limited 7 inch in typical paul weller sound design... collectors item

the 3rd release by scott grooves on his natural midi label, this is scotts first ever ep and color vinyl release. all 4 tracks possess a different mood and distinct raw edge, which plays well on this well balanced ep.track 1 dark blu speaks for itself, simply stated and deeply enriched. the relentless melody never lets go of the groove and the groove never lets go the melody. everything in this track harmonizes together perfectly.track 2 dna definitely disturbs the peace with vintage analog synth sounds. the old school sounding vocal sample echoes thruout the track that >detroit needs analog records< take a listen and decide if that echoes true!track 3 >it doesnt all have to be techy< as the title suggest there is know >techyness< here, its all about a deeply stormin groove that is enriched with warm melodic keys and a lovely guitar, yes i said guitar that altogether creates a feelin thats organic but not boring. track 4 decimalquivers in and out with a fm gritty synth stab, complete with minimal drums or as scott calls them >drims< which is the term scott uses for minimal drums. also present is a deep pad sound that brews slowly like an eruption. co-produced by panther, a name you will hear more about in the future

straight up bent techno. a fierce jacking groove with an outrageous sub-bass element and awesome live drumming. this one has echoes of funky industrial stuff like nitzer ebb but is 100% of the moment.

deep driving electro trax

cool houser from the french mixture label, which if i am correct is owned and a&r d by martin solveig on this 2 tracker you will find an intriuging latin disco tune that clocks in at around 10 mins and echoes a bit of the gregory sound b side is another expertly crafted houser called are u elton as well as a tools mix of the title track tracks mafe disco/are you elton

heres another slammer on the mixture label. for those who are not get with the program and cop a feel of this extremely well produced africanism inspired tracky tribal number spoken words big echoes and a big bottom end and another jewel in the crown for martin

incl mike huckaby rmx, tracks by urban force, vectrex, naohito uchiyama and leonid, loved by lawrence, atheus, terence dixon, deep pure detroit-ish techno-stuff, the second chapter of >my music is my space<. >wow! vier wunderschöne stücke<, >what a piece of deep work<, >detroit baby!<

played by anja schneider , tiefschwarz ... voodeux is the deep techno moniker of tanner ross & kilowatts (from dirtybird.) on >the curse< ross & watts expand their catalog of sound beyond the funk and into the sublime. instead of swiggles and bounce, we get creeping basslines and chilling echoes. with >thriller< as a distant relative, side a1 makes for the graveyard, zombies in tow, and as the track matures, so do the chills on the back of your spine. >the spell< goes one step further, taking the sound of a distant train, shards of ghoulsound and an ancient wind under a pulsing beat and chiming melodies. its halloween on wax. mike shannon, founder of cynosure and master of all things trippy, puts his own well-crafted stamp on this dark sound. shannon has recorded for ~scape, force inc. and many more. and no ones gonna save you from the beats about strike

debut album from onur ozer and vakant !! hot tribal infected melodic tech trax

old school wkkc hot mixer comes correct with some classic chicago vocal house. ron trent does the honors on the hi fi mix with lush synths, analogue drums, & plenty of trailing echoes.

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

digitalism present their long awaited debut album incl. all the big hits. sure-shot ! there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to. heres the first album from digitalism presented in a luxurious gatefold dlp !! for the past two years, they have been the go-to men for indie remixes, having reworked the klaxons, the test icicles, cut copy and the futureheads, to devastating effect. digitalism hail from hamburg. isi, the german born son of turkish immigrants, met jens, the child of a liberal family, at the citys underground solution record store. moelle was the first find employment there, towards the end of the 1990s. when he took leave from the shop to devote more time to his school work, isi filled. later jens returned, and the pair worked alongside each other: jens in the shop, and isi at the attendant record distribution business. they soon bonded over their shared love of dance and rock records.

incl. huge jamie jones rmx !!! after ripping up dancefloors across the world with their acclaimed first release from glimpse, the hypercolour squad returns with the debut release from label co-owner alex jones. >hash key< opens the ep with a snaking riff, stripped back, chicago-esque drums and a sweet blend of old-school vibes and edgy, up-to-the-minute attitude. simple yet smartly put together, its a useful tool for darker, late night moments, with distinctive echoes of poker flats patented ware-house grooves…

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

following in the footsteps of audikas cd reissue, arthur russells most extraordinary work, world of echo is reissued for the first time as a newly remastered limited edition double vinyl set. 18 tracks are featured including drumless versions of his disco classics lets go swimming, tree house and wax the van along with four previously unreleased tracks from sketches from world of echo. originally released in 1986, world of echo is a deeply intimate and meditative work of awe inspiring grace and remains a timeless work of sublime beauty. arthurs aim was to achieve what he calls the most vivid rhythmic reality, with just cello, voice, and echoes. arthur achieved all of this and more on one of the most incredible suite of songs ever recorded

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

jay hazes massive future dub with a brilliant, trippy four-tracker aimed at deep dancefloors.. influenced by berlins exploding minimal scene, bds use their space echoes and echoplexes to engineer a new breed of dub music, one that grooves, clicks, and bounces irresistibly between the spheres of tradition and experimentation... basic channel styled

next superb release by sandboy aka tobias meggle emotional and soft chillin music from the heart for the heart last release before the release of his echoes album

in den tiefen der sounds läßt sich so manches schätzchen finden. benjamin hat mit hilfe von move d, scanner & wendt tief gebuddelt & einen feinen schatz gehoben. tief, rein & ähnlich den black dog releases

a dynamite three-tracker. you'd swear the a-side cut is a vintage wicked crew houser from 1995, as its packed with sweatypercussion, dubby drum echoes and a nasty acid bassline thatwill move the most stubborn dancefloor

..funky