new label out of london uz mi records kick things off with a house-driven four tracker vibrating with deep and sub-aquatic vibes from label owners rick silver and james vernon.

we are excited to present ahaad 004. the fourth release on the berlin based label, a sub label of wex. these four tracks are from the greek artist, elastic. a mix of balearic, downtempo and ambient electronica, these four tracks are perfect for home listening or after hour hang out sessions. we hope the sounds resonate with you.

2019 repress - sintope bosses ntfo return to bondage music this may to deliver a combination of digital and vinyl only productions in the form of their esperantza ep. following an impressive break through year in 2009, romanian duo dani and robert aka ntfo have since gone on to carve out an impressive resume within the world of house, with a series of releases on 20/20 vision, objektivity, diynamic and jargon making up a notable back catalogue. owners of their own sintope imprint, releasing material from themselves alongside the likes of revered parisian djebali and fellow romanian rhadow, the duo have garnered stand out support from ryan crosson, cinthie, vinyl speed adjust and arapu to name just a few, and having recently featured on the labels bondage games compilation in january, here we see the duo deliver a fresh four track ep that s set to become a favourite of many in the months ahead. title cut esperantza sees the duo go to work, fusing rolling, crisp percussion with rich sub-bass, before uppercut interjects, unveiling a production packed full of swing, reinforced by robust drum licks, skipping hats and sweeping synths. on the flip, the first vinyl only cut lux reveals a smooth, stripped back effort, with lush, deep pads floating effortlessly over hazy background textures, whilst the electro influenced avoid closing things out in fine fashion, as trickling lead lines flow amongst and intricate organic percussion patterns across seven minutes

we are pleased to announce the first release of a new axis sub-label by jeff mills entitled star marked.

incl. sub level remix

lootbeg is no stranger to releasing quality music. with notable releases on crow castle cuts and o*rs he also finds time to act as label head for -a friend in need-. the travel to planet trance is being played monthly at sensu s club night at sub club in glasgow, such is the allure of the melodic pensiveness of the lead track. cydonia mensae offers a similar feel for those looking for something a little more stripped back. on the bside eupen lends a groovier house option before things get a little harder and darker with relate.

new sub division of where we met

for the 5th release of deep minimal label adult only shape, sub division of adult only records, roumanian funk e and his germain conspirator ogeid bring us a fresh energy which is fusion of sequences and space sound.
on side a, a characteristic track of funk e and ogeid in search of the miraculous with synthesizer and piano in the shuffled house beat, we can also feel a funk in the bass, a magic pad leads them all.
b1 law of octave recalls us good old trax records accompanied by a simple rhythm which is effective..
the ep ends with road of purpose, which has massive techno influence with splash of synthesizer and endless modular sound. a long journey no trap. three sublimes cuts you can’t miss

ltd copies as summer deal ! soundscape versions presents the second installment on its sub-label mystic versions with seven unknown cuts by different artists from across the globe - produced and performed by using analog hardware gear. from ambient soundscapes to experimental bass music and driven techno excursions.

soela serves up four deep and dreamy jams for shall not fade s sub-label lost palms.

the noir music sub-label relaunches itself with a bang – a heavy double a-sider with strong remixes from skudge and andré kronert – finished off with a nice new overall cover artwork.

next output from the ltd, w/lbl label owner on their sub label

waajeed is proud to present strength, a cathartic ep on his own imprint, dirt tech reck. for this four-track package hes enrolled three detroit natives to collaborate ideeyah provides soulful vocals whilst jon dixon and jay daniel offer two diverse remixes. a detroit dream team, if you will. the title track is a radiant, melodic groover that looks to the sky for inspiration. ideeyahs lyrics battle with self-doubt, searching for solace in the harmonies around them, yet her vocals exude pure power. for his own string mix, waajeed elevates the delicate sentiment of the original to a sun-drenched dose of uplifting house. additionally, waajeed will perform across 17 dates for an extended tour between august and october this year, including shows at the legendary sub club in glasgow and movement festival torino. strength is the first of two singles from his full lp called from the dirt

neovinyl recordings is once again servin up that -good good- with -where the wild beats are,- the third release in their limited edition sub-series. for this round they ve tapped the chicago maestro garrett david as a contributor alongside label regulars black loops, carlo, and baldo

visionquest return to their special edition vinyl-only series and welcome a new friend to the family: greek craftsman bodj. following a remarkable run of releases on the likes of his own audiorama and memoria earlier this year, the athens-based dj continues his vein of form with these four wide-ranging tracks... ‘parusha’ takes the lead with warm tones and textures. airy pads and an insatiable chicago-like bump to the voluptuous bassline ensure this grabs full attention the moment it enters the mix. it’s backed by three other vital cuts that express bodj’s true breadth and vision: ‘miaplacidus’ celebrates one of the brightest stars in the night sky with a stripped back, sub heavy hypnotic groove, ‘phantom’ kicks with timeless house dynamics that subtly evolve, twist, turn and fold into each other over its eight minute journey before we end with the wonderfully titled ‘trip to planet love’. once again showing bodj’s scope and stylistic flexibility, it closes the show with a hip-wriggling electro twist. slinky breakbeats, bubbling bass and a space-age feel, it’s every bit as cosmic and full of love as its title suggests. a perfect way to end another perfect visionquest trip. happy travels..

very first release of partyfines sub label. the french producer yuksek starts a naughty new catalog with the help of get a room! well knowned for their re edits, mixes and dj sets, the parisien dynamic duo opens with ecuador, hypnotic & tropical techno anthem. when the roland tr 808 flirts with spaced portuguese male voices. already playlisted by red axes, simple symmetry etc. the b side is a percussive and shamanic dj tool made of acid drops and psychedelic congas. 2nd ep from get a room! previous releases or remixes for partyfine, colette, dfa, kill the dj, tigersushi, ed banger

2nd release of partyfines sub label. french producer yuksek gets deeper and experimental under his new secret side project. out from electronic live improvisations, the first ep of destino starts with a clusterish ambient track (orion). so dj friendly, 911s siren and bleeps redefines the archetypical disco flavor of a 101 floor filler track. ceremony and its balearic feeling will strongly warm up your electronic summer nights. finally loopo up delivers a dark electronic disco groove for cosmic dancers. previous releases or remixes for partyfine, colette, dfa, kill the dj, tigersushi, ed banger

the arrival of fresh material from visions co-owner stephane attias is a nice welcome return . these two tracks from swiss based dj and producer are aimed to simply heat the dance floors . these two pure deep house tracks are full of musicality and rich deepness that will keep the dancers happy. on the a side « body fusion is a melodious number with deep drums , lush pads over deep synth and bass , rhodes chords, piano solo and organic percussions the b side is a soulful melodious and organic jazz house track with fender rhodes , sub bass and summer vibe to keep a smile on your face. a solid release not to be missed !

tact recordings vinyl only sub-label tactics returns this august with tactics vol.3 , a three-tracker coming courtesy of label co-founder fletcher.berlin-based producer and dj (richard) fletcher, also known as one half of duo adventures in daydreams, has been steadily carving out his own brand of soul infused house and techno over the years, picking up support along the way from luminaries such as larry heard, oskar offerman, mr. g and ivan smagghe along the way as well as shows on his home turf at berlin hotspots like ://about blank, sisyphos and golden gate amongst others.leading on the package is oildrum with skippy hats, bumpy wooden percussive hits and a snaking bass groove throughout as modulating synth whirrs and airy pads silkily ebb and flow within. faucet follows, featuring long time tact recordings artist luke black, edging things into dubbier realms via ethereal, billowing chords, rumbling sub bass tones and metallic percussive chimes to create something raw and hypnotic before brewed rounds out the package, this time round laying focus on a swinging organic drum groove, bubbling, glitched-out synth tones and ever-unfolding atmospherics continually keeping the tension building throughout.

ltd 2018 repress - following the success of the first 2 records by mp , here comes the new release of bass culture s vinyl only sub label by dj honesty including a superb remix by lo soul.

einzelkind and giuliano lomonte teamed up on yoyaku’s sublabel aku for this groovy four tracker.

new release by zendid, serving up a trio of electronic beats on yoyaku’s sub label yoy.

heading from his own true rotary recordings (co-run with ena cosovic), be as one and recently showing appearance twice on bror records sub-label lilies - joel alter presents a diverse three track ep on bror records with “bror07” under his techno alias jor-el.

hot on the heels of their debut collaborative ep, ‘exosphere’ - which picked up plays from violet, tone dropout’s dawl, jacques renault and timothy clerkin among many others - corporeal face and bufobufo are back with new trax that distil their love of electro, hardcore and acid into a lethal compound. lead cut ‘bleep inside’ mixes old school b-boy breaks with a steely sheffield bassline, ‘genome’ is a swung out excursion into sub-heavy acid house, sydney beat machine jensen interceptor turns ‘bleep inside’ into a percolating electro killer, and ‘molecular cloud’ is the explosive 140bpm meeting pointwhere warehouse rave and electro collide.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

* sheffield-based subaltern resident taiko returns to the imprint with a stunning selection of four distinctively grimy pieces of sub-bass science, proving once again his original take on the 140 bass realm. a. trenches introducing his unique style once again with a fresh twist, taiko delivers relentless earth-shattering bass waves in ‘trenches’, which graces the a side of the release. bells, strings and dark synths set the mood for a precisely executed wall of bass, complimented by subtle vocal work. b1. raid dramatic orchestral strings and horns set the stage for the grim reaper that is ‘raid’ - leading into a dark and roaring synth that accentuates the laid back bass-line. sure to shake every system it is unleashed on, the track keeps evolving and luring the listener ever deeper into a maze of darkness. you can run but you can’t hide… b2. mana pool ‘mana pool’ adds a more psychedelic and subtle edge to the release. synth loaded parts play in exchange with carefully laid out harmonic synth lines complementing the tasteful bass-lines, while remaining the raw edge of the release.

positive centre marks the 5th release on his in silent series label with 4 tracks of weighted mechanical workouts that feature his honed atmospheric style with brooding scenery and sharp percussive accents. isolated loop takes a crunched and spat out growl of an acid synth and blends it with ever developing drum machine patterns as a weaponised techno tool. tension arm builds on this with sharp percussion piercing over a hard edged bassline and atmospheric scenery. idle roller is a deep, sub-aquatic rhythm journeying to parts unknown with subtle switch in rhythm keeping the momentum going through this textured sound world. sum tolerance fractures open with stretched sounds of otherworldly instruments, sludge laden beats and humming bass pressure.

hekla’s music exists singularly. a one-off talent, emerging from no particular scene, ascribing to no particular rules.
as a creative tool, the theremin - bizarre, unique, and rarely heard - can be expressive, intuitive and highly adaptable. in hekla’s hands, her instrument covers an enormous range, from skittering birdsong of high frequency chirrups and chirps, to grinding, tectonic sub-bass. we are given the throbbing, apocalyptic dread of muddle and the baroque beauty of traditional icelandic hymn “heyr himna smi&#8706,,ur” in sequential tracks on the album’s a-side. appropriately, she also writes that the album title - Á - is similarly multifaceted in her native icelandic: “a river is an á and also it means ouch like when you hurt yourself, and also when you put something on top of something you put it á (on) something.”

georgia-born, brooklyn-based sophia saze set up dusk & haze to release ‘genre-free’ experimental music, exhibited in the label’s debut release entitled ’solace’ ep featuring four versatile cuts from sophia herself and twisted electro and techno remixes from umwelt and benjamin damage. the second release comes from the enigmatic sdx, a masked artist who’s fiercely championed left-of-centre dance music for decades. crunchy drums and a thumping bassline kick things off in ‘ms 04’ before los angeles duo 138 provide an outstanding remix incorporating a cacophony of raw breaks. modulated flutters, warped blips and white noise create ‘ms 08’, leading into the organic drums and off-kilter arpeggios of ‘007’ until new york’s sc- 164 reworks ‘007’ delivering a pulsating sub and distorted vocal chops. sdx’s ‘nocturnal’ drops on dusk & haze on 10th september 2018.

absence seizure marks its tenth release this september, a split package comprising one original from co-founder abe duque and two from label-founder matuss. since its launch back in 2015 the new york city based absence seizure imprint, launched by abe duque and matuss has been a platform for the latters original material and across the past nine releases and picked up support from the likes of young male, sage caswell, dorian paic and eduardo de la calle amongst others. here though we see co-founder abe duque join the part to mark the labels tenth vinyl release alongside label regular julia matuss. matuss steps up with crashing hard a murky, stripped-back number fuelled by choppy bass stabs, minimal percussive bleeps and airy atmospherics . next on the package is abe duques 11-27-2016, a typically raw affair from the new york techno veteran fuelled by squelching 303 lines, robust analogue drums and dreamy arpeggios. the b side features matuss sisabuc fresh closes out the package, stripping things back even further to minute, shuffled percussion, stuttering ethereal chords and permeating sub hits which all flow in unison across its ten minute duration.

roberto clementi delivers his cadmio ep on echocord sub-label echo echo this october, containing four original tracks from the italy-based artist. kenneth christiansens echo echo imprint, offers up its fifth release here, accurately reflecting his appetite for the more celestial, dubbed out side of techno. this release sees the return of roberto clementi to the echo platform after three releases on the parent imprint, echocord plus 10 years worth of released music to his name, notably a number of eps and an album on soma. the ep kicks off with a fresh dub induced charmer entitled conte which in italian translates to with you, and stands as an accurate tag for this warm and intimate opener. irradi follows, a more upbeat and industrious dance track – with euphoric synth lines sitting harmoniously in between the more uniform percussion before stimulating crashing symbols are introduced in the latter stages. title-track cadmio is up next, a more dropped-tempo, electro tinged number, with off-kilter drum patterns gracefully balancing amongst the alluringly sedative melody. the b2 and final track blue growth’ then provides a close to the ep with a lo fi 4/4 drum pattern together with hardened snares and crashes contrasted by delicate dub swells providing feelings of symmetry a theme that is consistent throughout the whole ep.

after a short hatius following the sellout dr001 - tommy vicari jnr s suction ep in 2015. drifted records latest sub-label project mid-flow series showcases the more electronic/breakbeat shade of minimal techno. their debut 8 track various artist compilation lp includes compositions from henry hyde, martinez, voigtmann, alicia hush, lee hume, unai trotti, amathia and bilal.

nousklaer audio is turning 5 and celebrating the launch of a new sub series named oemoemenoe. over fifty minutes of excellent minimalist synth explorations by rotterdam based musician mattheis on his new long player thin sections. simultaneously launching a new series of albums on nous klaer audio intended for sedentary listening. heavy weight vinyl, full print sleeve and including download card.

tribal pulse is 5 years old, and we re celebrating with a special series of vinyl and compilation releases, and parties in some really insane locations, including a unique birthday celebration in the beautiful highlands of scotland. first up we have boom merchant s i see the future available on 180g vinyl and containing contributions from italian slammin techno kingpin johnny kaos and maltese 303 sniper acidulant. the title track is a morphing, energetic futurist techno cut. a powerful, bass-driven groove works alongside complex analogue percussion sequencing and growling distortion before detroit-style chords and atmospherics move in to take you higher, before slamming you back into the dark groove once again. this one is a real bomb waiting to go off. for sub mission boom merchant combines forces once again with johnny kaos, and in keeping with the theme of the ep, the results are dark, distorted and full of flavor. the track roars through lashings of sub and relentless machine bleeps, drums and noises, jumping in and out of breakbeats with a monster reese bass chasing you down from start to finish. to round off the ep, acidulant does what he does best, stripping the original back to its bare elements, looping the vocal and creating a roland-heavy roller full of squelchy goodness. we see the future, and we are bringing it to you on wax. we hope these tracks put a smile on your face.

belgiums most praised dubstep label duploc has been consistently releasing two-track singles since 2015. the imprint curated by platform duploc.com now announces the launch of a new 12inch vinyl release series. catalogued as duplocv001, the first ep features no one less than label resident hebbe. the dutch up-and-comer was introduced to duploc in the beginning of 2018 with duploc020, as he was signed to crucial recordings and artikal music uk short after. now he returns to the label for the first volume of the new dupplates series. watch out is one of hebbe’s most anticipated tracks as a chest-oppressive weighty sub bass rolls through a distorted landscape of cinematic samples and sinister melodies which are constantly progressing. of course resident enigma dubz has to be involved in this first instalment as he delivers an incredibly stunning remix, hitting you with pure bassweight and powerful synths. on the flip side, compatriot melle and the like-minded mr.k enthusiastically accompany hebbe to unleash both the bouncing wayside as well as the murky lemon twist, two highly overdue cuts. the dupplates vol. 1 is an essential in your record collection and marks a first much promising episode for the next to come on duplocs prestigious series.

hailing from wellington, aotearoa, the land of the long white cloud, scent is a newcomer to the scene but long time gc of modern hypnosis. his first sighting featured a track ‘devils dread’ on indigo movement’s 5-year digital compilation december 2017. heaving at 140 beats per minute, ‘trax’ creates a certain energy similar to early jungle riddims. chopped percussion, giant synth stabs, weighty driving kicks with underlining sub bass and the odd flute build the track to a halt before commencing it’s minimal technoesq break down. ‘just a dream’ a rooted scentimental dub which takes you deep into a place amongst your rem sleep with sparse whaling strings and swinging percs. scent debut solo release. one to watch.

contactless debuts on uttu with 4 electro cuts for the head, the whip and the club. taking inspiration from boombass, electro-electronix, the lead track static takes you on an electrosoul journey to the beyond, updating the motor city template with fresh styles. cybernetik jerkin is a prime slice of hi speed funk, sure to get those feet workin and jerkin’. robot wreckin crew introduces the most bad-assed cybernetic b-boy crew around, with added flavour ready for the sub-woofer in your trunk, whilst e.p. closer downpour twists the program even further to include drum and bass influenced melodic elements over steady electro beats. 4 cuts guaranteed to inject emotion into our increasingly automated society!

a deep and melodic 4 track ep. mind stretch featuring a bubbling delayed synth with a resonating percussion pattern, a dark and beautiful house cut. low knee cutter a playful sub bass pulse, a dubbed and delayed loop obsession made for big room systems. estuaries a deep sub bass line and clear references to the dub techno tradition, features maltz on a piano solo on this hypnotic track. messin around you a textural journey with a deep drum foundation, a swirling combination blending samples from older works, fusing them into a new musical statement.

apart from being known for founding the infamous vinyl imprint subaltern records and for his residency on sub.fm, gabriele romeo aka. mentha has made quite a name for himself with his jazz-influenced bass music productions. this lp is a selection of tracks from his vault, showcasing his musical abilities and tasteful compositions in this self-release.

every summer jennifer cardinis correspondant imprint celebrates another ground-breaking year with a far-reaching collection. the stirring 16 track set features late night creations from old friends (red axes, zombies in miami, mike simonetti, moscoman) new friends (simple symmetry, perel, julian stetter, ) and friends that have been correspondant kindred spirits since day one (black merlin, mr tc, yula kasp & mi.ro).

time to express sp-x joins rekids special projects with four punishing techno cuts this september. little is known about mysterious producer sp-x. after a string of quality releases on komisch, time to express, and projekts, the brussels-based artist has garnered a strong following for his rolling techno sound. the enigmatic producer now joins matt edwards rekids special projects roster, following on from releases by dj spider, jon hester, dj deep, fbkand dustin zahn among others. an amalgamation of metallic hits, powerful drums and plucky arpeggios commence the package in dystopian lotus before the fast paced breaths of separation offers a rumbling low-end, frenzied atmospherics and cosmic chords. the orbiter delivers distorted top lines and a thundering kick on the flip, backed by mysterious sirens and resonant synth blips until the package rounds off with desire of invisibility, a high-octane finish with sharp, organic percussion and a vacillating sub alongside stereo delayed stabs.

*** check b2: !!! *** bath-come-london party purveyors, origins, take to channelling some of their creativity into the creation of their own origins label. at the helm for the debut release is bristolian up-and-comer tommosini. having heard move d unleash the beauty of another dimension at freerotation last year, origins knew they had to find out who the mastermind behind this deep house gem was and the rest, they say, is history. another dimension transports you through the galaxies via a combination of dreamy pads, crisp percussion, full-bodied bass and those sensual deep tinged vocals. future classic in the making. the a2 i dont stop carries on the u.s flavoured deep house with a vocal house track that wouldn t be out of place coming from the shores of chicago masterfully intertwining a bumping bassline, soft organs and those introspective, luscious vocals. flip it over and you re treated to two interpretations of another dimension. first up fellow bristol bass badboy, hodge, serves up a signature remix, chopping the vocals and layering them behind a pounding kick and machine gun percussion to give that bass heavy flavour hes become so well known for. deadbeat steps up to close out the ep with a heavyweight techno rework of the original, complete with hypnotic bleeps, phased hats, and intermittent sub bass goodness, all tied together with a driving kick to give a real industrial feel to the remix.

new yorker electronic producer dj spider is back on itay’s out-er with a muggy, abstract techno release “human erosion field ep”, similarly to its debut “v ep”, released in september 2017 and produced in featuring with his longtime friend phil moffa.
italian label out-er presents its twenty-sixth release continuing to explore the diverse musical path between house, techno and experimental electronic - which appears in most cases on out-er’s sub-label pregnant void. “human erosion field ep” otherworldly showcases both a radiant take on electronic as well as gloomy and wild-eyed pieces, an aesthetic approach for which dj spider has been most known in the scene. overlooking to the style of the tracks, the release does contain a sinister mood and a dense, solid sense of groove overall, a typical recurring feature of the producer’s previous outputs.

sub club and nautilus rising present our fifth release, courtesy of love over entropy. four tracks tried and tested on our dance floor at 22 jamaica street by our beloved saturday night residents. influenced by train journeys, passing landscapes, hiking and over 20 years experience in the studio.

redseal records is proud to present south korean multi instrumentalist, singer and producer mogwaa. vocoder vocals and bubbling synths make for good time vibes on this new 10” from klasse wrecks’ ‘redseal records’ sub-label.

moscow head-honcho archie hamilton teams up with cousin benson herbert for another collaborative ep on the imprint, bosteled via a club ready reshape from s.a.m. having already garnered support from some of the biggest names in minimal house, including raresh and barac, for previous productions, the ‘swerve’ ep is benson’s second, family-affair release on moscow. a promising up and coming talent, benson’s already played some of europe’s most prestigious dancefloors including sub club, fabric and paris’ rex club. as moscow enters its tenth year of releasing the most forward thinking and respected names in house and techno, label boss archie hamilton continues to release across europe’s most highly revered labels, whilst playing the world’s most exciting clubs and festivals including robert johnson, miami music week’s get lost chicago’s spy bar, croatia’s sonus and estonia’s moonland to name a few. ‘swerve’ sets a powerful pace with a rumbling bassline, offset against gorgeously melodic and minimal textures, it’s a roller that will undoubtedly be thriving across dancefloors this summer. informer, is a complex myriad of winding and hypnotic micro-melodies, which serves as a unique and effervescent follow up to the ep’s first track. denmark’s hotly-tipped dj/producer s.a.m is on remix duties for ‘informer’, delivering a jacking slice of dub infused four-four that deftly utilises the haunting riff of the original.

we are very happy to introduce our new ep appian012 by estrato aurora. hailing from valencia, and with a phenomenal array of hardware at his disposal, estrato aurora has dreamt up a beautiful deep techno ep for us. 4 tracks that can be played during sub-heavy warm-up duties, deep into the night for a heads-down foggy vibe or early in the morning for something a bit warmer, tripping and uplifting. timeless cuts to suit all intimate dance floors. 12- release. artwork by philip mitton. 320 hand-numbered copies.

big crown records is proud to present another tough as nails split 7”!
the a side is a killer and well sought after reissue of the sonics “find myself another girl”. a tune that lands in one of our favorite sub genres - happy break up songs. the sonics rip into it with a dance floor friendly drum beat covered in uplifting horn arrangements, singing the tune of someone who is relieved to be out of a relationship gone sour. a proper dance floor burner sure to be in all the soul dj boxes. the b side is a never before released version of the classic and often covered “spooky”. taken from the original master tapes and edited down to fit a 45, this is the first time this tune is seeing the light of day. texas outfit s.c.a.m. takes the tune on a proper journey, easing into it on this 45 edit and finding their way through horn crescendos and dropping down to drums bass and rhythm guitar. an easy favorite version of the hit tune that collectors will love to get their hands on.

seb zitos seven dials imprint serves up its third offering with jamie trench & khalil anthony continuing to champion the early garage flavours that the label is fast becoming known for. what was missing transports you back to the 90s with that ukg groove, bumping sub bass goodness and kahlil s gritty vocals. the dub mix leaves only a small portion of the vocals in the mix, chopping them todd the god style and giving the shuffling garage rhythm more room to breathe. on the b side label head, seb zito, switches things into peak-time roller territory, dampening the kick whilst putting more emphasis on the hats, dubbing out vocal snippets, adding acid flurries and throwing in an epic echoed breakdown. all three mixes make a clear nod to the past, whilst firmly setting themselves in the present gold again from seven dials.