as one of the founding talents of james ruskins continuing blueprint records empire or richard polson and nick duntons seminal surface records, we at thema dont really think we need to remind you who oliver ho is. since 1996 he has released a steady stream of high quality, stylistically diverse, and highly dependable records on blueprint, his own meta, light and dark imprints, and such leading labels as klang electronik, macro, and poker flat that bridge the gaps between techno, tech-house, and deep exploration and always keep djs like us reaching for them when we need that not-quite-ordinary thing that keeps people moving.
comes on transparent / smokey marbled red vinyl.

the back on track vinyl collection takes one of the most seminal and classic new york house labels of the late eighties and early nineties and lets the sort after producer nicholas painstakingly update the sound for 2011. this special edition collection is made of three limited edition heavy weight 180 gram vinyls with printed sleeves. each four track ep is individually coloured to make the complete set of three, light blue, orange and dark blue. on each ep there are four nu groove tracks re-edited by nicholas that include vinyl only exclusives. the collection reinterprets classic nu groove artists including bas noir, roqui and n.y house n authority.

glasgows mnx recordings resurface after a lengthy self imposed absence with a new limited ep featuring tracks from adam x, faustian pact, manasyt, cestrian (ali renault), microdot and cymbol. this is what the label had to say about the twelve.
transparent orange vinyl and limited to 200 copies.

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

farside records is proud to present the the debut release of henry l& ingo sänger. after joining forces for their remixes of ron deacon on oliver deutschmanns falkplatz records and paskal& urban absolutes on farside, the two put their focus on their own productions which now finally see the light of day

receiving plays and major support from annie mac, also naming tyson as one to watch for next year. dj support so far coming from plump djs, mark ronson, switch, luke walker, light year, jagz kooner ...

drew lustman aka faltydl veröffentlicht seine mit spannung erwartete erste ep auf ninja tune. die vier tracks des derzeit schwer gehypten, in new york lebenden produzenten, bewegen sich zwischen electronica, post-dubstep, rave und deepem techno! faltydl remixte bereits größen wie the xx, mount kimbie, photek, scuba und anthony shake shakir!

four bombs in birmingham key nods to detroit techno to hard, industrial, sharp and blunt with abrasive groove basslines like cathedrals and yard beats with hypnotic electronic sequences and mental development are not faint of heart. reaktor records does not fail and will make this album essential in your set.

radioactive orchestra is an attempt to interpret gamma radiation, which has its origin in the nuclei of atoms, and translate it into sounds and music. gamma radiation consists of photons and is, in essence, the same kind of radiation as light and radio waves - electromagnetic radiation - but with a very high energy level. in collaboration with nuclear physicists bo cederwall and torbjörn bäck, music producer axel boman and media artist kristofer hagbard have created musical algorithms based on the scientists models of how radiation is emitted from various isotopes. the resulting output of melodies and sounds have been arranged into the following musical experiments. limited to 200 copies!

recorded over the past three years, across the creative trinity of berlin, brooklyn and the sleepy hollow town of hamilton, near niagara falls in ontario, canada, new looks self-titled debut album is a feverishly anticipated affair. the canadian future pop duo and real life couple, sarah ruba and adam pavao have an undeniable creative synergy, combining the stunning, synth-playing chanteuse and former model, 25-year-old ruba (previously shot by the likes of cult fashion provocateur bruce weber) and multi-instrumentalist, 31-year-old producer pavao. there is a confidence and wit to their songwriting, coupled with cosmic tweaks and soft synths underpinning their future pop aesthetic. its controlled yet wistful pop perfectionism.
including code for free download of this album.

full drumming, a grumpy chord sound embraced from a dark, rebelling melody line like out of the old rave days and the demanding voice from the massive track internal, which calls the >soldier< with his name. remixer rolf mulder mills with darkly digging sequences and creaky acid effects sharp edged points in the sole of the dancers, so that these also find enough hold on the slant melodies. >skydive< makes in the matter of grooving also thick cheeks. the track rumbles more and more elegantly than stoic through the space and pulls from the propulsive combination of the vocal-hookline and the harmony changes a well-arranged serving of pop flair which cuts the darkness of the night with a flashing blade from light. toureaus impact version of >skydive< serves 8-bit like clicking in the treble area, swears to the rhythmical spirit of the good old days and asks him for a bouncing dance on the floors in the here and now.

after the successful zenker brothers record, we continue with a solo record by dario zenker. it sounds like dario bought some healthy food, went to mcdonalds and i ate it there to provoke some marketing campaign against intensive livestock farming. we know for a fact that he has an unlimited love for good food, dirty old school hip hop, porn, broken beats and kung fu by the way. his flat on the 5th floor gets a lot of light during the summer and also heats up a lot. can you smellthe sweat? speaking of sweat, you should check out inner circles sweat. instead of a proper high 5, we would even give 6 for this one! oh what a bad way of trying to make some sense with the track title... but honestly give 6 is a hard one. well i guess its time to stop writing some weird shit and start listening...

having launched blkrtz to wide spread critical acclaim with his album drawn and quartered in june this year, deadbeat now enlist the aid of two fellow berlin residents who need no introduction for remix duties. working with the source material from the first quarter, scuba dons his scb guise and turns in a slow burning sci-fi techno monster sure to appeal to fans of monolake and his own early work. rife with reverb drenched sonar pings and mechanized groans in the periphery, the track lurches toward its epic crescendo like an alien infested star ship nostromo sliding slowly to its demise into the center of a black hole. bringing things back up into the light on the flip, efdemin tranforms the fourth quarter (calas house) into a chugging deep pocket house journey. riding the cusp of a rubbery bassline and molding the chords into a timeless house organ motif, the originals dubwise leanings are heard loud and clear through a cloud of crackling unintelligible vocal samples and thunderous spring reverb crashes worthy of king tubby himself. without a doubt two floor ready reinterpretations and a great sign of things to come from deadbeats new curatorial ventur

after several successful releases on different labels, daniel bortz now returned to the pastamusik home base. the ep features three classic influenced house music burner tracks. from the heart of darkness, straight into the bright light of the global dance floors. a swinging irresistible ear candy that will stimulate your senses

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx

neon dreams is the debut album from london-based producer and night slugs co-founder james connolly, aka l-vis 1990. across 15-tracks and 55-minutes, james distils a lifetimes worth of musical influences and experiences while conveying the story of the last 12 months in his life through vocalists samantha lim and javeon mccarthy. 2010s *forever you* single, which featured mccarthy, was a key jumping off point in establishing the overall vibe of neon dreams. the track features here as a slimmed down, 3.5 minute version. this length represents approximately the average track-duration across the entire lp, and is indicative of james long-held desire to proffer an album in very much the traditional sense of the term. further vocal turns come from co-founder of the sound pellegrino imprint and french hip-hop outfit ttc, teki latex.

continuing a trend of strong releases in 2011, dynamic reflections ninth ep sees the light of day. firmly re-establishing the labels forward thinking nature and intelligent approach to techno, this release, the first of three, features two original tracks by abstract division and remixes by both milton bradley and dasha rush.

if you have ever heard a crunching roland system 100 bass line ringing in your ears at 5.00am in the morning, there is a good chance that it has been written by andy meecham. whether as emperor machine, sir drew, chicken lips or even bizarre inc his music rolls and waves in incredible ways and sheds light on all the probable combinations of familiar sounds. morning banger is certainly a hot potato! upon the first listen you are hooked in with the slightly aggressive korg delta drawing you in. the track builds and builds into a crescendo of beautiful tension and before you know it your brain is eagerly awaiting the next step of the journey.

after the success leonid neverminds light is here ep, we invited a few artists to reinterpret and reshape leonids work. first up is dutch duo duijn & douglas, who already released on nowar, who took on thymus stimulator and turned it into a deep and funky time bomb. very basic and strongly efficient grooves layered with riffs and counter-riffs, making you hooked instantly. a wonderful hip-shaker! on the flipside detroits kris wadsworth, with solid releases on nrk and boe recordings, applied a more machine funk approach turning feel into a deep jack workout with leonids original dreamy sounds enveloping kriss rawness. finally miles sagnia, whose releases on his own atmospheric existence and aesthetic audio prove to be timeless gems, also combined the raw and the soulful. a true deep house gem with funky basslines, straightforward beats and a sweet deep almost detroit techy vibe.

terrence parker presents music works volume # 3 (catalog pmw003)this is a special 3 track ep personally compiled by legendary detroit producer & dj terrence parker. the a-side features a classic tp remix from his former intangible records label entitled >secret fantasy< by james sims. the b-side features a funky house swing track never release on vinyl by hot new producer dj mo reese (a former detroit resident who now lives in the us city of cincinnati). also featured on the b-side is another jazz-house fusion track entitled >love 4 sale< by dj leandre of paris, france (the man who brought you soul juice). all 3 of these tracks have been specially re-edited by terrence parker in august of 2011 for this vinyl release. for fans who like tps classic 1990s sound, these tracks are guaranteed to light up the dance floor!

jimmy posters and huxleys new imprint saints & sonnets present their debut ep from production duo ethyl & huxley with the 3 feet high ep. deep, powerful and rounded deep house is on the menu for release number one as strong bass holds down light melodies and slurry vocals for an undoubtedly peak time record. electronic chameleon and self proclaimed dandy roman flugel is in for remix duty and his dubby mix 2 flirts with push and pull percussion and chopped vocal snippets for a delightfully experimental revision.
played by: dj red d (we play house recs), jepe from johnwaynes, ethyl, j.cub (eclectic avenue records), quell (ibadan, these days), cedric maison (hypercolour), milton jackson, mike omara(development music), mike w - kolour recordings, kevintsuba, chamboche (zleep/under the shade), nicola conte, huxley, sccucci manucci, sean cormac (forward disco nyc)

he & she is a project from alexander pavlenko and nastia. nastia should be known to music lovers and festival visitors. by now the sympathetic young woman from the ukraine is homelike on many stages of the world . her sets in kazantip made her worldwide known. so it is no wonder that she is working for the well-established radio kiss.fm. the actual mgf 18 >videt< convinced through a deep groove and light cords. kollektiv turmstrasse corroborate the titletrack with their own sound. thus they create an own remix where you defiantly recover new aspects.

welcome to monkeytown. berlin duo modeselektor returns full force with a new album whose immense energy and club-boiling beats will inject the global dance community.

small world discos leading light, ltj, is back with another terrific release. 16th in the series and still going as strong as ever. trademark ltj all over this one, three huge hits!

mannequin releases on 45 rotations-per-minute seven inch single a nearly forgotten collaboration dredged and now seeing the light of day.
played entirely live in one ago and using only vintage analogue synthesizers and sequencers, martial canterel and tobias bernstrup four-hands / two voices put our minds in another dimension, in an hypotetical night-time outside, where shadows and confusion are leading the way, creating simply a milestone for all the minimal electronics music lovers.

chicago legend robert owens teams up with tevo howard!?! words from tevo: >i had the opportunity to correspond with the great robert owens some time last year, and we were able to shed light on a project together. i cannot tell how much of an honor it is to work with such a great predecessor, and to continue the tradition of the celebration of chicago house music. here, we have featured 2 moody original versions, and 2 exciting remixes. together they comprise a 4 track single. robert and i hope that youll join this celebration.< t.h.

italian producer simone fedi, hailing from tuscany, takes things to a whole new level on this third release on eskimo recordings. >bitter devotion< is a vocal pop gem with a balearic tinge, but its bittersweet vocals and the addictive melody will haunt you. for this tune fedi, a multi-instrumentalist with a knack for pop music and a soft spot for vintage gear, joined forces with a mysterious singer named lola rent, and this turns out to be a winning team.
bitter devotion comes with a rather spectacular remix package, ewan pearson (known from his remix work for goldfrapp, chemical brothers, hot chip, moby, franz ferdinand and depeche mode to name a few) gave it the royal treatment. as an additional treat, welcome stranger aka thomas bullock (rub n tug, laughing light of plenty, map of africa, whatever we want records) has indulged in a psychedelic >bitter devotion< dub, analogue and live... just the way we like it.

already the fourth release on rmxs records. labelboss j.leyend selects the best techno slammers for the dancefloor.. eric sneo / horacio cruz / lk / j.leyend & javi under presenting fresh techno for the followers of labels like adult, patterns and special series.

persnickety sounds is here to funk-ti-fy your world! in this era of nü-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court. let the labels fall and just get it movin.

mark es >call me< finally gets released via merc this september. ever since its appearance on the mark e beats in space mix nearly a year ago it has remained a must have track and appeared in faiths top 10 tracks of 2010 without seeing the light of day. staying true to an original >house< aesthetic, call me merges a relentless bass line with soaring strings and an organ build de lacey would be proud of, combined with a spoken female vocal this is destined to be a future classic. dixon and tensnake appear for remix duties, dixon turns out a sublime re-work, tightening the feel in true innervisions fashion, whilst tensnake creates a genre defining remix that turns the track on its head and introduces 2 step garage attitude. mark e + dixon + tensnake = huge 12inch !

out 26th of sept. mikkel metals new tartelet ep travels deep into the spectral voids of space. empyrean pads and raw drums reverberate in our ear meatus on cassini -soft kicks with shrill claps and a prodding bassline bringing back memories of mikkel metals earlier dubby excursions. phasing, relentless, and a favourite in the early hours of both the night and morning, cassini has everything needed to become a mainstay for all djs brave enough to venture beyond our known realms. mazurski, a galaxy of beaming details and radiant synthlines colour it deep, while the echoes of light gone by envelops the transient listener. following on the same side is the dub version (vinyl only), outlined by a scrapping kick, filtering sequences of sonic waveforms and abraded sub-basslines. all this rough beauty is fully submerged in a crystal pond of levitating strings and sparkling monotones. these cuts will transport you beyond, both in front of properly charged sound systems and laptop-powered earphones. referencing both the recently resurrected new age wave and the analogue power of london, mikkel metal has brought a completely new dimension to the tartelet universe, the quality is undeniable, the construction timeless and the foot-tapping ensured, so get floating.

support by: hans nieswandt, baaz, alex agore, marquese, skipson, ynk, big in d_bug...
with his bellefonic ep, drei farben house from berlin creates a remarkable house-disco-hybrid.soul vocals, funky drums, warm basses – it is all there. wide range of accoustic sounds meets specifically selected electronic elements. with his rather classic idea of musicality drei farben house bridges rich soulfulness and slim, reduced funk. beauty and elegance, understatement and indulgence, meoldiousness and pop appeal – thats what this concept is about.tenderpark remains a prime address for softly gleaming pearls which light up in small side streets. about tenderpark: tenderpark is a vinyl label from berlin in quest of warmth and elegance in contemporary house music. lightness and pproachability are the main focus. tenderpark sounds the commonalities and connections between music and fashion. after the first series of record artworks had incorporated a fashion photo, tenderpark has staged a fashion shot for the new records again. this time the label has drawn on the sophisticated clothes of berlin menswear label a.d.deertz to play the main role in the new artwork.

jazzanova lands on wurst! early dj support comes from soul clap, radio slave, dimitri from paris, ewan pearson, sebo k, rob mello and slow hands. weve done the unthinkable, scored the unimaginable, and wrangled none other than jazzanova (!) for an über-limited one-sided vinyl-only release. while >i can see< feat ben westbeech came out a few years back, filippo moscatellos most excellent disco version never saw the light of day - until now, of course. doesnt much more sunshine-filled and soul-drenched than this stellar take on the esteemed berlin collectives original, and we are both honored and humbled to get to work with both jazzanova and their label sonar kollektiv, and of course filippo himself, on this very special release. filippo moscatello started to produce music in 1994 under the dj naughty moniker, and has since gone on to work with labels like gigolo, eskimo, and moodmusic to name but a few, releasing the artist albums disco volante (gigolo) and pagliaccio (moodmusic), as well as the acclaimed compilation, one naughty night in berlin (eskimo). in addition to his production work, filippo maintains a club residency at cookies in berlin called luv dancin where hes played along special guests like moodymann, jerome sydenham, ata, bottin and loud e.

presenting the >cant buy love ep<, wolf + lamb records invite you to enter the visceral world of aquarius heaven. a rhapsody of sonic flow both rough and smooth with heavy doses of sleaze and deviant, lust-filled rap, the aquarius heaven experience is nothing short of electrifying. when brian brewster met dop in paris, 2005, the former reggae, dancehall and hip- hop singer was to undergo an electronic rebirth. during the hours of studio lock-up that followed, tapping into a wealth of musical influences, the arresting sound of aquarius heaven was born. after the outstanding debut >7 days ep< on circus company caught the attention of gadi mizrahi of wolf + lamb whilst in berlin (where brewster is now based), it wasnt long before the label made aquarius part of the crew and the >cant buy love ep< was brought to light. a heady mix of sexually charged house funk, a-side >cant buy love< bumps and grinds down a bassline made of rubber with the heavy depth of brewsters vocals in the driving seat. playful and bold with singer dani sicilianos yearning interruptions, the mood is a twisted fusion of love and filth. already a staple in the sets of soul clap and wolf + lamb, >cant buy love< has all the markings of a cult record in the sex music hall of fame

brandon johnson, the artist known as tridact, has been putting together his mix of analog electronics and beats for some time. growing up in and around santa barbara, california, he has recently traded the beaches and foothills of southern california to move to the forests and mountains of southern oregon. after participating in various bands and other musical projects in santa barbara, he bought a simple setup consisting of a midi sequencer, a sampler and a couple of vintage synthesizers and began creating his own electronic music. over time he built up a small studio and added some live instrumentation into the mix. in the late 2000s, he began posting some of his tracks online, eventually leading to his first release, >light minute<, on the synchronicity suite compilation on moodgadget records, alongside artists such as wisp and mux mool. the track was later re-released on ghostly internationals nocturnal suite compilation. on tridact’s debut album on prins thomas internasjonal label, he creates an eclectic blend of densely layered, melodic, song-oriented instrumental tracks which combine analog synthesizers, guitars and programmed beats. the album draws from influences ranging from 60s pop to disco, house, techno and breakbeat to make a sound that reflects a distinctly pacific coast experience. from the new tridact album (intcd0002) we have cherry picked these tracks for a exclusive vinyl edition spread over 1 12 inch and a 7 inch.

traxx ep is the first reference by argentinian born / barcelona based brand new label music, women, money. opening release is produced by label founders, argentinean talents ignacio sietetrece & lucianno villarreal, and includes remixes from legendary philadelphia producer someone else and one of the most promising artist to come out of the south americas underground scene, may segui. mastering was made by shanemcenhill (the streets, skream, faithless) at finyltweek studios, london.
label aspiration is to bring to light new artist offering fresh and renovation ideas to the electronic music scene, mainly focus on deep house sounds.

comes with a stripped down acid-cussive version from our favorite swedish techno machines skudge and another storming remix from gatto fritto himself (and a beautiful ambient track turn to light).

ltd to 100 copies tranparent vinyl editon ... incl s100, pfirter & grindvik, skudge, the rumours aka s. linzatti & p.grindvik, oliver kapp and tom diciccio !! to clarify the meaning of sthlm ltd 022. on sthlm ltd 022 i would like to shed light upon a few artists who, in recent times, inspired me, in one way or another. older ones and new ones. we embark with s100, a cluster of machines and people from stockholm, who share the love of playing live. in addition to the stockholm ensemble we have juan pablo pfirter, a man who brings mad joy to any dancefloor but also constantly seizes the attention of the blog generation. there is also skudge, the swedish duo who with their simple patterns and oldschool vibes made people worship true techno again. as well as staffan linzatti, who is the best studio mate in the world, and oliver kapp, the founder of the labels indulge and raygun. oliver s music has always been a huge source of inspiration for me, so i was proud to invite him to do a remix for stockholm ltd. last but not least tom dicicco, a bass and dub loving youngster from the midlands currently based in manchester, who after a few releases on various labels co founded the great label inner surface. pär grindvik, 2011

and we still release in these low summer times with our next french artist nicolas cuer! he delivers three very nice and bright techno tracks with light summer melodies and to make you smile ? three tracks inspired by the infamous club villa rouge in the south of france.

arkives analog features 6 pieces of 180 gram vinyl, exclusive tracks and a limited edition poster, presented in a deluxe custom box. (12 songs).... richie hawtins triumphant return to the stage as plastikman in 2010 proved that his best-known alias is as innovative and as relevant as ever. hawtin has taken plastikmans most classic material, originally released between 1993 and 2003, and reworked it for a truly live performance accompanied by mind-bending, synchronized visuals-a sound and light show like no other, one that collapses the distance between present-day festivals and the uncompromisingly underground warehouse parties of the mid 90s. for many attendees, this is their first taste of plastikman...

tokyo black star is finally back in full effect on reincarnation with 2 timeless deep house music gems in collaboration with our very dear friends at slam jam. >sotto marino< takes on a long ride and is reminiscent to the early 90s beautiful ecstastic italo house music vibe we love so much, while black box pays tribute to the real black funk at the now legendary friday fever black box party at club suono in ferrara with resident djs pasta boys and dj hendrix making you funk, jack and sweat under the strobe light dancing on a light floor lost in the jacking zone! produced and mixed by alex from tokyo and isao kumano for tokyo black star production in spring 2010. this ep is a tribute to our special friends at slam jam, to the maestro enrico crivellaro and to our extended music&party family in italy! arigatoni!!

fantastic air - album... special backstock action

for alec koone, the 20 year old, pennsylvania resident, who was 19 and based in new york at the time of his first release, >wander / wonder< is a coming of age album that sees him expand upon the unique sound that attracted him so much attention to begin with. in koone s own words: it s an open ended album, and i think individuals should make their own meaning of it so that it is something actually real to them. it s not classical music, but in the tradition of a classical work like a bach cello suite, i see it as more of a whole musical piece with themes/motifs/ideas reoccurring throughout, connecting the tracks together as opposed to simply being a collection of songs that sit next to each other in isolation. it s also an album that should be listened to loudly. wander / wonder is a mysterious and genuinely haunting record that seems to exist in a world all of it s own making, balanced between the ecstatic wonder referenced in the title and something altogether more indefinable and uncertain of itself, like shards of light flickering through a blanket of fog, and even though wander / wonder is undeniably an electronic album, it feels strangely organic, rooted in nature, synthetic textures and distorted voices harmonizing with an ever present oceanic shimmer. wander / wonder was written and produced by alec koone in new york and pennsylvania. mixed by alec koone and sam haar (member of blondes) in new york city.

it seems like hawkinson has drawn his inspiration from the lush crackling whispering of the woods. akiko seems to see it the same way and with her remix makes a compelling overall package of the second 12 inch by phunkit. >unterholz< is a crisp driving, deep techno roller with playful percussion elements, subtle functionally-held choral dubs and a bass line drily humming to itself. >stillleben< crackles bone-dry and elegantly at the same time, the light melodic phrases form a great contrast to the massive wall of bass. akiko is tinkering a little organic dust monster out of >stillleben<. definitely superb how she is breathing her principle of life into the whole theme, so that you almost wish the track would never end.

back for his third release on hometown label thirtyonetwenty comes captain funktastic himself, william kouam djoko! if you have see him perform you know that this guy has the funk oozing through through his veins like a predatory viper going for the kill.
>cant lose my rhythm< takes you on a jazzy dreamscape, with of course all vocals are done by william himself which has become one of his signature trademarks.
>dazzling urbanite< takes thing a bit more down tempo, a perfect track to play when the first rays of light come shining throught the windows of the panorama bar.
last but not least we included remixes of the acclaimed classic >hard loving<, this time its kabale und liebe who does the honour, a name who doesnt need any further introduction!

zeitlos, a german word meaning timeless is one way to describe chris wood & meats new ep, triple s. this is house of a different flavor, pulling influences from freestyle jazz and funk. we find ourselves late in the night. we enter triple s, a smoky cool atmosphere, relaxed and ready. light percussion leads us into the back, where a lone wandering bass line takes the stage. the simmer of hi hats and trample of toms usher in the kicks. chugging along, a single jazz flute, and sassy women punch through the fog. the strings rise and the bass sinks into the cellar. downplayed with style and elegance, triple s is the perfect track for half past midnight, opening the gates and pouring your body on to the dancefloor.

the acronym lfo is normally used for >light fuel oil<, but what robert stolt presents with his new release is truly nutritious fuel for the dancefloor. >beyond lfo< developed a groove like chiseled, massive, overwhelming, heated up and extremely intense. a track that could easily run more and more and leaves you breathless and speechless as soon as the last bass drum is faded away. two remixes come from the feather of the well-known pig & dan guys. a steppin and ever-shifting rhythm is the foundation on which a swinging guitar melody unfolds their poignant effect and transform force into playful clarity. a suitable outdoor summer hit. in their second version, the melodic superstructure is purified rigorously, the residual remain compacted and the driving rhythmic moment dressed in a hypnotic dub garb. the clearly breaks infected track >monster< is inspired by the aesthetics of american b-movie monster movies from the 50s. varying, cinematic sound cascades and these wonderful bleeps over all have a direct path into the heads own sound cinema.

already receiving big support from peter van hoesen, norman nodge, marcel fengler, perc, brendon moeller, len faki, laurent garnier and more. following the recent success of his starting over ep on belgian tastemakers curle, matt heads home to off-key to release his strongest work to date.
first track >bloom< whispers sweet nothings in your ears while shimmering synths caress your neck and skipping percussion dances around your groin. unable to resist, you let yourself go and >without warning< spikes your drink, drags you into a filthy warehouse rave and leaves you grinning maniacally under a flickering strobe light.

tw is back with brand new original works on his own imprint. continuing in the spirit of the series & moving further light years into the future we welcome you into traversable wormhole vol 8. comes on gorgeous smokey red vinyl - transparent dark red, black marbled.