sequel is about rebirth. its the culmination of everything i have loved, lost, learned and experienced in the last 10 years as a musician, he says. this cycle is the only constant factor in my music and my career, and by learning to accept it, ive come to terms with the music i make. this album is a reflection of who i am right now at this moment. it�s me, no compromise. embracing a fresh approach that combines the use of numerous pieces of analogue gear and recording his own samples in the field, the album represents the new sound of sql in its purest form. vital sales points: bloody great album with beautiful artwork. the one and only ro sakhardande of jukebox rocking the pr with many articles about the album confirmed.

geography has always been about feelings. our next record is a special one with lots of them. several years in the making. a local affair, a sorgenfri/sofielund/gamla väster/annelund affair. geography returns with what will be remembered as probably the best record of 2017, a mini album full of deeply rooted house music from total newcomer fyodor the dj, put on wax by geography straight outta malmö

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day.
we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone?
there is no other way... we are falling apart a bit more, every day.

the staub conspiracy. i am a shape-shifting reptilian alien. my kind controls the planet earth by taking on human form and gaining political power to manipulate human societies. if you don t believe me, i suggest you do some research on youtube. there you will find undeniable and overwhelming evidence. but hey, maybe you ll still doubt it later... what can i say? the human eye is too primitive to perceive the blunt truth, it is far easier to completely bend reality than accept what is in front of you. why am i talking to you? well, i just realized it does not really matter if we infiltrate television, governments or even your minds-eye. the world will be ending soon and the only thing that still matters is to dance. that is why i ll do techno. before you all get abducted, and all that is left is dust.

sos gunver ryberg, aïsha devi, rrose and paula temple are the four artists collaborating for decon/recon 2. the new record will be released as limited edition vinyl on noise manifesto. in this collaboration series, each artist has produced a track from all the artists sounds, yet the release credits all four artists equally on all four tracks. it is a symbolic act for reducing hierarchy, ego attachment in identity, preferring instead to shift the focus towards affinity. paula temple describes the bond in this second collaboration as every artist in this release approaches their creative energy particularly connected towards a more shamanistic mindset. when you listen to the progression of their music, it feels like the physical and mental realms we accept as reality and function within are being stripped away. maybe that is weird to say about underground dance music, but i find the journeys each of these artists take you on are very exciting in how they affect you.

four never before released or publicly available demo cuts from the writing sessions of craig peyton and jolyon skinner circa 1983-1985. the duo produced and wrote hits for artists in between working on their own projects. these songs survived the past 30 years on a cassette tape, which was lovingly transferred for this exclusive to peyton records release. after their short but fruitful collaborative period, peyton went on as a writer and band leader and skinner went on to have a career as a songwriter for pop acts such as joe, nsync, and freddie jackson. in the words of craig peyton: �jolyon skinner and i met in the early �80s through our mutual friend keith diamond (the trinidadian producer of hits such as �caribbean queen� by billy ocean). after we met, jolyon and i started regular writing sessions at my nyc p-factor studio. our first break came in 1983 with howard johnson�s �let this dream be real-. that was followed up with �love of a lifetime� by melba moore and �where ya gonna be tonight� for will collins. after this we were offered a recording deal by april blackwood music, but due to my contract with profile records at the time we couldn�t accept it. shortly after skinner got signed to zomba and we stopped writing together around 1985.

no light at the end of the tunnel. no helping hand to pull you out of the hole. no second chances. no god to cure this deadly disease. no heaven to save your soul after your final seconds... hope will hold on, but in the end, death shall claim it. all this, we understand a little more, day by day. we will experience our absolute zero, and the stages of life that come as close. we think that we will never recover and that we are not strong enough to fight against it. our immaculate, peaceful souls, that we begin our lives with, start to bleed, and slowly get torn into, bit by bit by the cold hard truth that breaks our protective walls. we learn to handle and accept this even as pieces of us shatter and die every time a little bit more inside us. to give light, we must endure burning. but what if everything we are able to burn is gone? there is no other way... we are falling apart a bit more, every day... dedicated to this state of mind.

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline�a subtle playing field composed solely with a rare 1970�s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then�all affirming damien�s less-is-more ideology. with side b�s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine�s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

new emmanuel top label. lost in berlin is a mechanical angry monster with multiple arms that swings around for destruction. it�s unstoppable for words, you have to accept the fact that you have been hit by a concrete wall. what i love in records is the menace inside it that builds up. the impossible energy that drags you in to this tunnel of a white dimension with grey electric colors. bipolaire: it all starts with a kick, not a simple kick but a et kick and before you know it you are struck by lightning. the subs are playing with you, simple but again with atomic temperature. the acid sound that hits you is never going to surrender his inferior temper. capture: only that words remind me of the spirit capture and it�s not easy make an equivalent of the original that is not even made with the inspiration of the mod wheel. it�s not just a wicked intro that can take you to different roads. you can decide what way you will take but be careful with what comes next.

insurgently crossing philly soul, cape jazz and bump jive in 1976, the same year as the soweto uprising, poignantly shot through with timmy thomas� why can�t we live together.
�it was so important for us to play a kind of crossover then, to weave in touches of motown, philadelphia soul and teddy pendergrass that the coloured community appreciated, and basil�s cape town sound, and sipho�s sound that was legendary in the black community, and make music that people could all enjoy together... the regime divided us: people classified coloured had identity documents, black people had the dompas. we didn�t accept that separation. sipho, although he was born in kzn, could play any feel. sometime he�d joke, does my bass line feel coloured enough?�
another landmark matsuli. the title track is killer.

(ltd green marbled vinyl) inspired by the sound and emotion of loscil, tim hecker and pan american, verwijmeren constructs a mu-sical cocoon to imagine a vision of a different world. through his dark but beautiful soundscapes, he tries to break daily routine and accept the dark side of life.

inspired by the sound and emotion of loscil, tim hecker and pan american, verwijmeren constructs a mu-sical cocoon to imagine a vision of a different world. through his dark but beautiful soundscapes, he tries to break daily routine and accept the dark side of life.

already founding member of phosphor and currently in leave the planet, nathalia bruno is shaping her own way to those sounds bands as tropic of cancer and northern electronics� född död have also been pursuing. there�s a brighter component to drift�s music visible both in shiny tracks like grave and hard to accept as in the more ethereal dreams in silkscreen and say it right. featuring six songs, black devotion marks the birth of what nathalia herself calls devotional synth.

on the fourth secret reels release, loz goddard delivers 3 impeccably produced house tracks.

a seminal, bold and instantly nostalgic lp, midnight wave showcases imres immense ability to craft vivid landscapes of ethereal sound, infused with layers and years of emotional content. here is a body of crackling, warm ambient and techno with a vast, cinematic scope. a sonic portrait of an alienated moment in london, told using industrial visceral tools and visualised through the cutting figure of a lonely individual boarding the 5am night bus home.

b.b. kings 1971 live recording from cook county jail back on 180 gram vinal with download code included.

billy meier, the third record in the untold stories protagonist ep series, is by suokas, and includes a remix by alka rex. the works stem from the remote town of petrozavodsk in russia, where the artist suokas lives a life of diligent focus. the album is dedicated to billy meier whose extensive writings and transcriptions document his contact with extraterrestrial beings, largely from a civilisation called plejaren located a fraction of a second shifted from our own dimension. his works are devoted to widening consciousness and challenge what we conventionally accept as true. similarly inspired, suokas says my music is about things that cannot be proven by conventional methods.

after the killer debut, money sex returns with another jaw-droppingly good selection, this time from imyrmind. another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective 6 pack. these guys are untouchable right now - accept no substitute!

the legendary clarence reid has long been a towering figure over black music for almost 50 years! even if you re not instantly familiar with his name you have %100 heard some of the mans music... hes produced, played for, written for & performed with endless amounts of legendary artists in his career, he is simply put, a legend.

reissue of a 1986 italo-disco classic.
accept no imitations, this is a genuine reissue from the label who gave us this now-legendary italo maxi-single back in 1986. often discussed in hushed tones among italo and disco enthusiasts mirko galli s most successful release tapped into the british songwriting/pop dynamics with both tracks while retaining full focus on the dancefloor with heavily synthetic grooves that refuse to quit. -when i let you down- is a visage-style love story blessed with intricate melodic layers and big catchy vocals. meanwhile -boogie tonight- is all about the metallic arpeggio, a nagging hook and future-minded arrangement twists that foretold the drama of house music before it even happened. a serious document, this.

michigan native todd osborn, also known as soundmurderer, also known as osborne, also known as superstructure� ran the first drum & bass record store in the detroit area, the legendary dubplate pressure shop and would later own his own label, rewind records. todd has also built airplanes, computers and hovercrafts. or has he? at this point we need to just accept a mystery.

dekmantel proudly presents the return of vedomir to their imprint � with nothing less than a full length album this time!
mister karpenko was responsible for one of the most in demand dekmantel releases to date (picture of you ep), so this artist album is the next inevitable step. the ukraine-based producer shows he is getting more mature with every release, delivering a comprehensive artist album that crosses over genres easily.
ranging from downtempo, almost jazz-like slowburners to haunting chicago house with a true analog feel, and from dark electro stuff, to the beautiful ambient soundscape: this record is a piece of stunning musical versatility.

humandrone from japan featured on this lemon yellow release from we play house.
marked firmly on our soundcloud page and in various publications: wph does not accept nor listen to demos. a way of working that was shattered when one day red d found a real physical demo in his postbox. from a galaxy far far away called japan came humandrone a.k.a. takaaki shibuya, with his twist on jackin chicago rhythms. a twist deeply melancholic, almost detroit like, showing us that chicago music can be both jackin� and musical at the same time.

you know that uneasy feeling you get right before something big happens? no its not a terrorist attack or an earthquake. its your good friends triage and the bassist bringing yet another ground shattering release on your friendly neighborhood hollow point recordings. triage the bassist have been leveling houses for a combined 16 years, so be warned! these tunes are built to completely annihilate dance floors, car systems, laptop speakers, headphones, you name it. we accept no liability for the use or misuse of this product as it is intended for controlled demolitions only. use at your own risk!

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

this is the 2nd record from a set of 6, ranging from atlantikwall 007 to atlantikwall 012. originally sold as a boxset, the remaining sets available from the label are now sold separately

frankfurt based producer and dj michael stapf delivers herewith his incredible 3 tracker debut single >spiritkeeper<. after some netreleases at musicartistry records and a cooperation track with axel sohns on teknite records - this is definitely his fulminant solo start in the vinyl world. the label hymn >spiritkeeper< shouts out a message to the club scene - >we wont accept that changes are a fact of life !< >unconscious minds< is a modern tech housy vocal track - that will for sure find its way to your ears. >jingle the bell< comes up with a lot of crazyness. be aware and just keep the spirit alive!

a perfect example for the second category is the lnz013 track rezolution. even though limited on 500 white label copies, this hypnotic minimal trip became an incredible public success over the last two months. not only, but especially on ibiza, the feos & miroir production is regularly spinned by all important tech house djs. not set the dance floor alight or keep it ablaze with rezolution is a big faux pas the party crowd hardly could accept. due to the overwhelming demand for the lnz013 (and the fact that its sold out mostly everywhere) the label decided to press a second edition of this legendary tune. unlike the tria track of the limited vinyl, the flipside comes with a re-edit version of rezolution, produced by pascal feos studio mate chris wood. extended to 8.30 minutes of playtime, he retained all stunning sound elements of the original, re-arranged them, gave great new accents and lifted the track cleverly up to an even higher, minimal house energetic level. thats why we dont call it a b-, but aa-side track

in reference to the 13 year anniversary of pomelo, the label is proud to present this mini compilation of high quality techno music.the a side starts off with an hypnotic electro track by german producer alex cortex called freakwave, followed by an interlude by viennese electro duo microthol, well known from pom14 black stripe. track 3 is a classic electro piece in best cybotron manner produced by dj glow and dj soulglo (microthol) under the moniker ph03. on the b side we witness the return of dj elins project satanic soul, which was founded 10 years ago for the same called record on pomelo, nowadays a sought after classic. its the only 4/4 track, moody techno in typical elin style. the ep finishes off with reade truths time to accept, brilliant freestyle electro, ny stylee.five deep and different takes on electronic funk for the future

go!freitag is not a label in the traditional sense of the world, its a statement, even a commitment. a commiment to accept a blury, pounding head on saturday, feeling sick after too much party on friday

a top high quality techno tracker with 3 mayhem techno cuts, supported by leo laker, mario ranieri, viper xxl, darc marc

excellent christian wünsch & joris voorn remixes

starting off with whos rockin best with its rolling break and dubby b line catchy vocal hook old skool style change up and half time breakdown flip for baddest mutha fucka which is a tear out killer steeped in drum & bass stylings and it pulls no punches from the first drop if you like your breaks dark and hard then accept no substitute (sb)

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from ãla merÒ to -pr�lude � l apr�s-midi d un fauneÒ. romboy: ãone sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard soundsÒ. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtm�ller, the well respected d�sseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. its the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

the arrival of label lotus land s first ever album, in the form of a previously unreleased monster of a project. the amazing modern soul music of darwin jones, as recorded in 1978 at sly stone s home fortress studio. this album includes the full 17 they managed to unearth from tape - 9 tracks more then the vinyl edition! tip!