Releases from artist / Veröffentlichungen von : Mim Suleiman

rb super proudly presents: mim suleiman! the zanzibar born and sheffield based singer/songwriter/performer made quite a name for herself on the afro-beat stages of this world with her mixture of east african vocals and percussive traditions. mingi is the second single accompanying her mesmerizing album tungi, which has mim singing and writing in her native tongue swahili and is a mixture of all things ultramodern afro beat, rhythm trax and futuristic pop music. here we have a seductive 808-drum-groove, a high life like guitar and mims irresistible hook line. instrumental on the flip for extended mixing pleasure and double copy pressure. produced by maurice fulton. mim says blessup! big up!

new lp by mim suleiman

new album by mim suleiman

over the past six years, dimensions has become a leading name in the underground, with its festival, international series, dj directory and dimensions soundsystem. now, dimensions extends its influence with the start of its label - dimensions recordings. the label launches with a 12-track compilation across three separate discs. ‘an introduction’ makes a huge statement in setting out the label’s intent and breadth. with artists established and new stepping up to present 12 exclusive tracks. * an introduction part 1 calls upon artists from different corners of the globe who share the similarity of undeniable soul and expression in their music. the ep has an earthy, worldly feel to it. from the swahili sung harmonies on mim suleiman’s ‘pole pole’, to the afro influences of swiss collective alma negra’s ‘onga’, both tracks work raw percussion with just enough swing that either would sit comfortably within latenight uk dance floors or on the sun-kissed beaches of pula, croatia – dimensions festival’s home. then there’s the jazz-tinted glow of istanbul’s kerem akdag whose ‘getdownsoclose’ deep roller makes use of lush pads and rushing snares. closing is maryland’s james tillman, who’s soulful vocals on ‘wander’ sit gracefully over transcendental keys and compellingly loose drumming, rounding off part 1 with a dose of the soul.